AUDIOPATCH
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Tutorial videos, workflow demos and new features explained — directly from the developer.
1 · Introduction
AUDIOPATCH is a browser-based planning app for signal routing in live productions. The app maps the complete signal flow from stage to console input — including split, multicore allocation, digital snake routing and IEM/RF frequency planning.
Who is this for?
| Role | Benefit |
|---|---|
| System Technician | Complete patching, loom planning, pack list, split matrix |
| Monitor Engineer | Slave position with split channels, local I/O, IEM channels |
| FOH Engineer | Master position, stagebox configuration, output routing |
| Production Manager | PDF export, show preparation, hardware overview |
3-Layer Model
Recommended Browser: Google Chrome. AUDIOPATCH works in all modern browsers but is primarily developed and tested in Chrome. Safari may occasionally cause caching issues or rendering glitches with dropdown menus. For the best experience, we recommend Google Chrome, Microsoft Edge, or Brave.
2 · Quick Start
- Open App — Runs directly in the browser, no installation needed
- New Project — Click the AUDIOPATCH logo → "+ New Project"
- Choose Template — „Band 48 CH" for a typical touring rider
- Configure Hardware — Setup → select console and stageboxes
- Patch Inputs — Stage Inputs are automatically populated from the stagebox
- Assign Looms — „Auto Loom Patch" distributes channels across multicore cables
- Export PDF — Export → PDF for the crew
Install as App (PWA)
AUDIOPATCH is a Progressive Web App (PWA) — you can install it like a native app on your device without visiting an app store. The app then runs in its own window without a browser toolbar.
Data stays local: All projects are stored in the browser's localStorage — even after installation. Create regular export backups (JSON)!
iOS / iPadOS (Safari)
- Open audiopatch.net in Safari
- Tap the Share icon ⎋ (bottom toolbar)
- Select "Add to Home Screen"
- Confirm the name → tap "Add"
The app appears as an icon on your Home Screen and opens in fullscreen without the Safari toolbar.
Android (Chrome / Samsung Browser)
- Open audiopatch.net in Chrome
- Tap the menu ⋮ (top right)
- Select "Install app" or "Add to Home Screen"
- Confirm
Alternatively, an install banner may appear automatically at the bottom of the screen.
Desktop (Chrome / Edge / Brave)
- Open audiopatch.net in the browser
- Click the install icon ⊕ in the address bar (right side of URL)
- Confirm "Install"
AUDIOPATCH then opens as its own window — independent from the browser, with its own icon in the Dock / Taskbar.
Benefits of Installation
| Benefit | Description |
|---|---|
| Standalone window | No browser chrome, full screen space for the app |
| Icon in Dock / Desktop | Quick access like a native app |
| Offline use | App shell loads after first visit even without internet |
| No update required | Updates arrive automatically on next load |
Firefox: PWA installation is currently not supported by Firefox Desktop. Please use Chrome, Edge or Safari.
4 · Project Management
Create New Project
- Click the AUDIOPATCH logo in the sidebar
- "+ New Project" → enter name
- Choose Template:
- Empty — Empty project
- Band 24 CH — Standard band, 24 split channels
- Band 48 CH — Full setup with playback, UHF, timecode
- Festival — Like 48 CH, but with "Stage Master" (Splitter), FOH and MON. Master patch controls all signals and looms centrally.
Project Details
In the Projects drawer at bottom: Name, Artist, Venue, Date. All fields appear in the PDF header.
Duplicate Project
Right-click a project → "Duplicate". Creates a full copy with a new name. Perfect for tours: same setup, new venue.
5 · Hardware Setup
Open the Setup drawer () → Hardware Setup.
Smart Hardware Selection
Consoles and stageboxes are selected via a native, responsive 2-column dropdown. The left column lists the manufacturer (e.g., DiGiCo, Yamaha), and the right column lists the specific models. The dropdown automatically positions itself above the button to prevent being cut off at the edge of the screen.
Supported manufacturers: Allen & Heath, Avid, Behringer, DiGiCo, Lawo, Midas, Soundcraft, SSL, Waves, Yamaha — totalling 82 consoles in the database.
The console determines:
- Number of Local Analog In/Out (built-in at the surface)
- Number of Local AES In/Out (built-in AES connectors)
- Expansion Slots (MY, DMI, D21m — depending on manufacturer)
Configure Stageboxes
- Click "+ Add Stagebox"
- Select model (filtered by console compatibility)
- Swap Stagebox: You can change the type of an existing stagebox at any time using the dropdown below the stagebox name. If the channel count changes, you will be asked whether the channel data of subsequent stageboxes should be preserved in their place or shifted.
- For modular stageboxes (e.g. DiGiCo SD-Rack): configure I/O cards
- For MixRacks (e.g. A&H DM64): assign I/O slots (Dante, MADI, gigaACE)
The stagebox determines the maximum channel count of the position. Stage Inputs are automatically adjusted to match the stagebox size.
Set Split Master
The Split Master defines the shared stage input list and has preamp authority (Gain Master). Typically: MON is Split/Gain Master — the monitor engineer controls the preamps, as consistent levels are needed for IEM. FOH works as slave with trim compensation.
For a gigaACE setup (A&H dLive): Split Master = position with the physical stage MixRack. Slaves receive a digital mirror via gigaACE.
Outboard / Devices (+ Device)
Under Outboard / Devices, you can add any of the 1,057 devices from the hardware database (e.g., system processors, FX units, converters, interfaces) or custom devices to each position:
- Universal I/O & Slot Cards: AudioPatch automatically resolves all physical audio inputs and outputs of the device plus installed expansion slot cards and creates a dedicated 🎛️ 19" Devices sub-tab inside the position view.
- Drag & Drop Sorting: Multiple devices can be reordered via drag & drop in Hardware Setup and automatically appear in the 19" Rack Planner inbox.
- Synchronized Export: All patched device channels (incl. Loom, CrossCore, and Tielines) are exported under a unified device header across PDF, Excel, and Crew Link.
Connections
Connections between positions (or directly to external Devices) define the split protocol (Analog, gigaACE, Optocore, MADI, Dante etc.) and channel count. Each connection can optionally have a name (e.g. "Main Snake", "IEM Link") — the name appears in the position header, connection wire, PDF and Excel export.
- Add connection: In HW Setup at the bottom: select source position/device ↔ target position/device → "+ Connection"
- Set name: Directly in the connection card header — text field between the position dropdowns
- Choose protocol: Analog / Digital / Gainsharing tab → protocol button
6 · Stage Inputs & Patching
Adding Channels
- With stagebox: Channels are automatically created from the stagebox size
- Without stagebox: Manually via "+ Add" or " Import List"
Smart Import (PDF, CSV & Paste)
The Smart Import lets you directly import complete input/output lists from PDFs, Excel, Numbers, CSV or Google Sheets. Columns are automatically detected and mapped by an AI-like, extremely robust heuristic.
- Click „ Import" (available for Stage Inputs, Outputs, Local In/Out, Slots, Band Import)
- File Import: Directly select a
.pdfor.csvfile – or just paste your data into the text field. - Automatic column detection: Name, Mic, Position, Loom, Stand, 48V, Info, Category
- Dropdown per column to adjust mapping — Swap logic: reassigning a field automatically clears its old assignment
- Mode: Overwrite / Fill empty channels only
- Start at CH: Import begins at the selected channel
PDF Magic: The importer repairs even totally broken PDFs! Multi-line headers, shifted spaces, or adventurous spellings (e.g., "Beta-91" vs "Beta 91") are automatically ironed out through fuzzy logic and X/Y coordinate analysis.
Copy directly from Excel or Google Sheets — tab separation is auto-detected. Header rows are detected and used as column labels.
Loom Detection
Combined Loom+Channel values like F-1, A.12, MC1-3 are automatically split into loom name and channel number. Only looms that exist in the project are imported.
Validation
Values for Loom, Position, Stand and Category are checked against project data. Missing values are highlighted in red () and skipped during import. A summary appears directly above the Import button.
Advanced Recognition & Auto-Setup
- Robust Value Detection: 48V is recognized in over 30 formats (ja, yes, +48V, req, [x] etc.). Looms also detect prefixes (e.g. "Loom A:3", "Snake B-4").
- Secure Loom Import: Only explicitly mapped or newly added looms in the mapping panel are imported. Unknown (ignored) looms no longer cause accidental assignments.
- Auto-Enable Columns: Columns that are imported (e.g. 48V, Stand, Category) are automatically enabled for the UI in the Equipment Setup.
Copy directly from Excel or Google Sheets — Tab separation is automatically detected. Header rows are recognized and used as column labels.
Input Table Columns
| Column | Description |
|---|---|
| Split | Assigned split channel (or Link CH for digital) |
| SB# | Stagebox channel (physical input) |
| Input | Signal name (e.g. "Kick In", "Lead Vox") |
| Mic / DI | Microphone / DI box or wireless patch (UHF receiver / IEM loop-out) |
| Loom | Multicore cable (A–F), Tieline (T.A), or CrossCore (X.A) + channel (Ch 1), plus Analog Y-Split... (1x XLR F → 2x XLR M) |
| Position | Stage position (Drums, Bass, Keys, Guitar...) |
| Stand | Stand type (Boom, Clip, DI Floor...) |
| Info | Free text note |
| 48V | Phantom power on/off (red dot = active). Column toggleable in Equipment Setup. |
Mic / DI & Wireless Patching (UHF / IEM Loop)
Clicking into the Mic / DI field opens the combined selection menu:
- Wired Microphones & DIs: Search the built-in database with over 300 microphones and DI boxes via autocomplete or direct list selection.
- Wireless / UHF (IEM/RF) ▸: Positioned at the very top of the menu. Opens direct patching to your UHF receivers (
RX 1..NviaXLR Out,TRS / Jack Out, orAES3) or anIEM Loop-Out (TRS)from an IEM transmitter (TX 1..N). - Smart Auto-Jump: The flyout automatically jumps to the next receiver with available channels and highlights the next free channel in green (
Free). - Cascade Patching & Multi-Select: Clicking "Patch from Ch X" fills all subsequent receiver channels sequentially. When multiple rows are selected using row handles (Shift+click), a single click patches across all selected rows.
- 2-Line Cell & Live Sync: The cell displays the microphone or handheld model on line 1 (e.g.
AD2 Beta 58) and the hardware source on line 2 (e.g.RX1 AD4Q · CH1 (XLR)). Channel name and label stay bidirectionally synchronized with the IEM / RF tab in real time.
Analog Y-Split (1x XLR F → 2x XLR M)
Select Y-Split... directly in the Loom dropdown (or via the right-click context menu) on any Analog Input (Stage Inputs, Local Analog In, or analog 19" Device In; no AES3 channels) to split the signal to a second Analog Input on the same or another position:
- Main Channel (Y-Main): Keeps its assigned Loom (e.g.
F / Ch 9) and displaysY-Main → <Target>underneath. - Branched Channel (Y-Branch): Automatically adopts the signal name as
<Name> · Y (from <Main>)and displaysY-Split from <Main> (<Loom>)in the Loom cell. - +48V Lock & Clean Packlist: On the branched channel,
+48Vis automatically locked off (phantom = false),Mic / DI,Position, andStandremain empty (no duplicate mic count), and anXLR Y-Split (1x F → 2x M)adapter is automatically added to the Pack List / Inventory.
Context Menu (Right-click)
- Y-Split (Select partner)... / Unlink Y-Split — Link or unlink an Analog Y-Split (1x XLR F → 2x XLR M) with a second analog input
- Duplicate — Creates a copy below the channel
- Swap — Exchange two channels (Shift+Click on second channel)
- Clear — Clear channel name and mic
- Delete — Remove channel
Stereo Pairs
- Shift+Click on two adjacent channels
- Right-click → "Declare as stereo pair"
- Symbol appears between rows
- Auto Loom Patch keeps stereo pairs in the same loom
- IEM Planning: Stereo pairs in outputs are automatically recognized as stereo IEM channels in the IEM/RF tab when using "Auto-Generate"
7 · Outputs & Monitor-Sends
| Column | Description |
|---|---|
| CH | Output channel number |
| Output | Signal name (e.g. "Drums Wedge", "IEM Lead") |
| Category | Monitor Wedge, IEM, PA Main, Sub, Sidefill, Drumfill, etc. |
| Loom | Multicore assignment for the return path |
| Info | Free text |
A red badge (e.g. 12/8) indicates more outputs are assigned than the stagebox physically has. Check configuration!
Category & IEM Transmitter Patching
Clicking the Category dropdown opens the category menu with direct in-ear transmitter integration:
- Standard Categories: Monitor Wedge, PA Main, Sub, Sidefill, Drumfill, etc.
- IEM ▸: Positioned at the very top. Opens the list of all configured in-ear transmitters (
TX 1..N) and automatically jumps to the next available transmitter. - Stereo Pair Patching (L/R): Select "Stereo L/R" to automatically assign two consecutive output rows and link them as a stereo pair. Alternatively, individual sides (
LorR) can be patched toXLR,TRS Loop, orAES3. - Multi-Select Fill: When multiple output rows are selected (Shift+click), the system distributes IEM transmitters sequentially across the entire selection.
- 2-Line Display & Live Sync: The category cell displays
IEMon top and the transmitter binding below (e.g.TX1 PSM 1000 · L/R (XLR)). The signal name stays bidirectionally synchronized with the IEM label and bodypack name in the IEM / RF tab.
8 · Local I/O & AES
Each console has local connectors on the surface/rack, managed separately:
- Local Analog In — Physical inputs on the console (e.g. FOH stage mic, talkback)
- Local Analog Out — Physical outputs (e.g. shoutbox, DiOut TC, matrix)
- Local AES I/O — AES/EBU connections with direction (In/Out), signal and loom
RF Patching on Local Ports & Slots: Local Analog In/Out, Local AES In/Out, and console expansion cards (DMI / Slot) also support direct patching of UHF receivers (including digital AES3 feeds) and IEM transmitters via Mic / DI and Category.
Tieline & CrossCore Patching
Tielines (T.A, T.B) and CrossCores (X.A, X.B) are physical point-to-point cable connections between positions, stageboxes, or racks (e.g. FOH ↔ MON). They are patched on both Outputs (Send) and Inputs (Return) (Stage Inputs, Stagebox Outputs, Local I/O, and 19" Devices) directly in the Loom & Channel (Ch 1) dropdown (not in the Input Name field):
| Function | Description |
|---|---|
| Send (Output) | On an Output, select a Tieline (T.A) or CrossCore (X.A) and channel (Ch 1) in the Loom dropdown. |
| Receive (Input) | On an Input, select the matching Tieline/CrossCore channel (Ch 1) in the Loom dropdown → the sending Output's signal name is automatically transferred. |
| Directional Counting | Sends (Outputs) and Returns (Inputs) are counted separately per direction — channels already occupied in that direction are marked in the channel dropdown. |
| AES Auto-Pair | Patch on odd CH → partner (even CH) is automatically set to same loom:channel. |
| Ripple-Fill | Loom cascade fills subsequent channels sequentially. AES pairs are completed automatically. |
| Unlink / Clear | Setting the Loom dropdown back to — removes the Tieline/CrossCore assignment on that channel. |
Bidirectional Capacity: Analog tielines carry 1 signal per XLR (maxCap=2 for send+return). AES tielines carry 2 signals per XLR (maxCap=4 for 2× send + 2× return).
Tieline Detail Routing (High-Density)
Tielines automatically store and visualize the complete hardware chain (Send + Return):
- Loom Planner & Patch Tab: Shows the signal name + "Position · Device IN/OUT Channel" instead of raw port numbers.
- PDF & Excel Export: Tieline cards and routing tables contain the exact hardware connection of both sides (e.g., "FOH · Avid Stage 64 OUT 1 → MON · Avid Stage 32 IN 5").
9 · Loom System
Loom Types
| Type | Examples | Purpose |
|---|---|---|
| Stage Looms | A, B, C, D, E, F... | Stage → Split / Stagebox |
| Multicore | MC, MC2, MC3... | Main multicore Stage → FOH |
| Tielines | T.A, T.B, T.C... | Direct Send/Return links between positions & racks (via Loom & Channel dropdown) |
| CrossCores | X.A, X.B... | Point-to-point cross-links between stageboxes / racks (via Loom & Channel dropdown) |
| Analog Y-Split | Y-Split... | Analog 1x XLR F → 2x XLR M branch to a second analog input (+48V lock & Packlist counting) |
Colors (Resistor Color Code)
| Loom | Color | Code |
|---|---|---|
| A | Black | 1 |
| B | Brown | 2 |
| C | Red | 3 |
| D | Orange | 4 |
| E | Yellow | 5 |
| F | Green | 6 |
| G | Blue | 7 |
| H | Violet | 8 |
Auto Loom Patch
„ Auto Loom Patch" distributes channels automatically according to configurable rules:
- Group by stage position — Drums in one loom, keys in another
- Keep stereo pairs together — L/R end up in the same loom
- Keep existing assignments — Only empty channels are filled
- Fill from top — Fills looms from CH 1 upward
Rules configurable under Setup → Equipment Setup → Auto-Loom Rules.
Inputs and Outputs separately: Auto Loom Patch runs separately for inputs and outputs. Both use the same loom pool (A, B, C...) — assignment is based on the stage position. For example, Drums inputs and Drums outputs (Wedge, IEM) end up in the same loom.
Loom Fill-Down
Click the colored dot at the bottom right of the loom cell, then drag downward → fills following channels with ascending loom channels. AES channels are skipped.
10 · Split Configuration
The split defines how stage signals are distributed to multiple positions.
Split Types
| Type | Description | Latency |
|---|---|---|
| Trafo Split | Passive analog split (transformer-isolated) | 0 |
| Active Split | Active analog split with amplification | 0 |
| gigaACE | A&H proprietary, automatic routing | 52μs |
| Optocore | DiGiCo proprietary, fiber | <1ms |
| TWINLANe | Yamaha RIVAGE proprietary | <1ms |
| dSnake/DX | A&H SQ/Qu series | <1ms |
| AES50 | Midas/Behringer digital snake | <1ms |
| MADI 64 | Custom digital, BNC/EtherCon | <1ms |
| MADI 128 | Custom digital, fiber | <1ms |
| Dante/AES67 | IP-based, custom routing | ~1ms |
Gainsharing
For digital splits, a gainsharing mode is set per connection in Hardware Setup:
- Off — Each position has independent preamps (default for transformer/active splits)
- Gain Tracking — The Gain Master controls the preamps, slave positions automatically compensate via trim
The Gain Master is configured per connection. In typical touring setups, MON is the Gain Master to ensure consistent IEM levels.
Auto Split on Setup
When creating or modifying a connection in Hardware Setup, a 1:1 split is automatically applied — no need to manually click "↻ Auto Split" anymore. Manual adjustments are never overwritten.
Slave Position (v1)
Special rules apply to slave positions:
- Read-Only Stage Inputs — Name, Mic, Position and Info fields are not editable. Data is automatically synced from the Split Master.
- Split-Channel Dropdown — Shows available master channels with signal names (e.g. "Split 01 — Kick In" instead of just „1"). Makes assignment significantly easier.
- AES Restriction — AES/EBU inputs on stageboxes cannot be assigned to an analog split, as this is physically not possible.
Data Isolation: When a split is removed, channel data is cleanly separated between master and slave. No data contamination between positions.
11 · Patch Overview
The Patch tab shows all positions side by side: Split matrix, loom assignment, channel status and conflicts at a glance.
RF Integration & IEM / RF Section
- 2-Line RF Sublines: In position tables, patched wireless microphone and in-ear systems are displayed directly with their exact hardware and port subline (e.g.
RX1 AD4Q · CH1 (XLR)orTX1 PSM 1000 · L/R (XLR)). - Quick Navigation: Click the
↓ IEM / RFjump button in the top navigation bar to scroll directly to the dedicated RF overview. - Dedicated IEM / RF Overview: Displays all UHF receivers and IEM transmitters alongside their routing destinations. Compact route badges summarize channel ranges (e.g.
Master Split In 26–29 (XLR)). Hovering over a badge reveals a symmetrical 4-column hover card showing each individual route (e.g.CH 1 → Master Split In 26 (XLR) · BONEZ A).
Avantis CSV Export
For Allen & Heath Avantis: Direct CSV export in Avantis Director format. Import via File → Import CSV in the Director software.
12 · Digital Patch & Connections
Digital connections between positions (MADI, Dante, gigaACE, Optocore, AES50 etc.) are configured via Digital Patch tabs. Each connection has its own sub-tab with protocol and channel count.
Digital IEM / RF Connection (Dante / MADI / Milan)
In the Hardware Setup, consoles can connect digitally (e.g. via Dante or MADI) directly to IEM / RF (Digital) — without forcing the console into a Split Slave role.
- Console Sub-Tab: The connection appears as a dedicated sub-tab on the console (e.g.
MON ⇔ IEM / RF). - RECEIVE (← IEM / RF): The
Wireless / UHF ▸menu patches network-capable UHF receivers (RX 1..N) straight onto digital input channels. - SEND (→ IEM / RF): The
IEM ▸menu routes console monitor sends directly to network-capable IEM transmitters (TX 1..N). - Automatic Name Synchronization: Channel names, transmitter labels, and receiver names stay synchronized across the entire project.
Structure
Each digital patch tab shows two columns:
| Column | Description |
|---|---|
| TX SOURCE | Send side: TX label (signal name), TX source (source dropdown) |
| → SEND → [Position] | Transmission to partner (channel assignment) |
| ← RECEIVE ← [Position] | Receive side: Incoming signals from the partner (automatically synchronized) |
TX Auto-Patch
The ↑ TX Auto-Patch button automatically fills TX labels from the stage input list:
- Stage inputs are sorted by loom letter and loom channel
- TX channels 1–N are filled sequentially with signal names
- TX source is automatically set to the corresponding stage input
Undo: TX Auto-Patch is fully undoable via Cmd/Ctrl + Z.
TX Source Dropdown
Each TX channel has a dropdown to link to a stage input. The dropdown shows:
- Empty entry — No source assigned
- Stage inputs — e.g. "SI 01: Kick In" — automatically sets the TX label
RX Receive
The right column shows the incoming signals from the partner position. This data is automatically synchronized — e.g. if MON defines TX labels, they appear on FOH as RX Receive.
Clear All
Clears both directions (TX and RX) of the digital connection. Secured by confirmation dialog. Also undoable.
Context Menu & Multi-Select
Right-click on a TX row opens a context menu with:
- ⌫ Clear TX — Delete label + source of the selected row(s)
- Duplicate TX down — Copy TX content to the next row
- ↕ Swap TX — Swap with the next row
- ✕ Clear All — Delete entire connection (TX + RX)
Multi-select: Click = single, Shift+Click = range, Cmd/Ctrl+Click = toggle. Selected rows are visually highlighted. All Clear actions apply to the entire selection.
Tab Navigation: Tab jumps to the next row in the same column (TX Source or TX Label). Shift+Tab jumps back.
RGB / RX Buttons
| Button | Color | Function |
|---|---|---|
| + R0/128 TX | Green | Show/reduce TX channels |
| + R0/128 RX | Orange | Show/reduce RX channels |
| ↑ TX Auto-Patch | Position color | Fill stage inputs → TX channels |
13 · Recording / Interface Positions
Interface positions (e.g. REC, Broadcast) are positions without physical stageboxes. They receive their signals exclusively via digital connections (MADI, Dante).
Special Features
- No stagebox tabs — Instead the tab bar shows the slot connections (e.g. "MADI 128ch ↔ MON", "Dante/AES67 64ch")
- Default Tab — The first slot tab opens by default (instead of "All")
- "All" Tab — Shows all digital patch connections stacked, with own header, TX Auto-Patch and Clear All per connection
- Scrollbar for multiple connections — Max. 500px height per table, scrollable on overflow
Typical Setup
| Position | Console | Stagebox | Connection |
|---|---|---|---|
| REC | RME MADI | — (none) | MADI 128ch ↔ MON |
| Broadcast | Dante-Interface | — (none) | Dante 64ch ↔ FOH |
Interface positions are ideal for multitrack recording: The console at the REC position receives a mirror of all stage inputs via the digital connection.
14 · Loom Planner
The Loom tab shows all multicore assignments sorted by loom letter:
- Each loom as a separate table with channel assignment
- Inputs AND Outputs in one overview
- Basis for the physical assignment plan (Sub-D/EtherCon connectors)
- Automatically generated from loom assignments
15 · IEM / RF Planner
The IEM / RF tab provides a fully integrated RF management system for in-ear monitoring and wireless microphones, designed around an intuitive 2-column architecture with bidirectional live patching.
Two-Column Architecture
Left Column: IN-EAR (Transmitters)
- TX 1..N Transmitters: Configure rack-mount transmitters (e.g. Shure PSM 1000, Wisycom MTK952, Sennheiser SR 2050 IEM).
- + Add & Auto: Use
+ Addto create new systems manually.↻ Autoimports existing IEM outputs directly from console positions and automatically pairs stereo outputs. - Parameters: Transmitter model, mode (Stereo / Mono), bodypack model (P10R+, EK G4...), and quantity of packs per system.
Right Column: UHF (Receivers & Mics)
- RX 1..N Multi-Channel Receivers: Rack receivers with up to 32 channels (e.g. Axient Digital AD4Q, Sennheiser EM 6000, Spectera, Lectrosonics DSQD).
- Channel & Level Switching: Each receiver channel features an individual
Mic / Lineoutput level toggle. - Transmitters & Spares: Transmitters (e.g. AD2 handhelds, AD1 bodypacks) with
RX CHassignment. Multiple transmitters can share the same receiver channel as active spares. - Detailed Parameters:
LABEL,MIC / CAPSULE(e.g. KSM9, Beta 58, DPA 4088), andTX GAINper transmitter.
Bidirectional Patching, Route Badges & Hover Cards
Names, labels, and port routing update in real time across the IEM / RF Planner, Stage Inputs, Stage Outputs, Local I/O, and Digital Patch:
- Header Route Summary Badges: Each receiver and transmitter card header features a live badge showing its physical or digital destination (e.g.
Master Split In 26–29 (XLR)). - Symmetrical 4-Column Hover Card: Hovering over any route badge displays a card with a clean 4-column route breakdown (e.g.
CH 1 → Master Split In 26 (XLR) · BONEZ A). - Bidirectional Name Sync: Renaming a wireless mic or IEM bodypack automatically updates the corresponding console channel labels, and vice versa.
Tools & Advanced RF Features
| Tool | Function |
|---|---|
| 📻 RF Profiles | Save and switch between different manufacturer configurations (e.g. Festival Shure Axient setup vs. Band Sennheiser Digital 6000). |
| ⚡ EDIT ALL | Batch-edit transmitter models, frequency bands, or gain levels across all channels at once. |
| ↕️ Compact View | Switch to a high-density table view for fast RF coordination and print overview. |
| ⚙️ Advanced RF Settings | Modal per system for RF band, zone, transmit power (TX Power), sensitivity/pad, and custom IEM modes. |
| 🔋 Battery & Rechargeable Planner | Calculates exact primary battery and rechargeable pack requirements with multiplier presets (1×, 1.5×, 2×, 3×), automatically syncing quantities into the Pack List / Inventory. |
| ⚡ Export WWB / WSM | Exports channel coordination files directly for Shure Wireless Workbench (WWB) and Sennheiser Wireless Systems Manager (WSM). |
16 · Pack List
The Pack List tab automatically generates an equipment list:
- Consoles and stageboxes per position
- Cable quantities (multicore, Sub-D, EtherCon) plus XLR Y-Split (1x F → 2x M) adapters from active analog Y-Splits
- Microphones and DI boxes from stage inputs (branched Y-Split channels do not double-count microphones)
- IEM transmitters and receivers
- UHF receivers
Cases & Racks (Packlist)
The Packlist system features a comprehensive case management system:
- Create Cases: New cases can be defined in the Cases tab (including name, dimensions, weight, and notes). You can switch between metric (cm/kg) and imperial (in/lbs) units in the Project Details (sidebar).
- Colors: Each case can be marked with a color for better visual distinction.
- Assignment: Equipment can be packed and assigned to cases in the Equipment tab.
- Overview: The Cases view lists the exact contents (quantity and equipment name) inside each case.
- Compact Mode: A button in the top right corner allows you to expand or collapse all categories or cases simultaneously.
Additional Equipment & Autocomplete
At the bottom of the Pack List, you can add your own items under Custom Items. When typing into the input field, a smart native autocomplete dialog opens up, suggesting matching equipment from the internal database.
If a Custom Item is deleted later on, it is now automatically purged from all Cases and Racks it was assigned to ("ghost item" cleanup).
17 · System Designer
The System Designer is a freely zoomable canvas interface for visualizing your entire network and signal flow layout. It automatically generates from your Hardware Setup and can be flexibly customized.
Navigation & Canvas (Figma-Style)
The canvas operation is heavily inspired by modern design tools:
- Pan: Trackpad two-finger swipe, normal scroll wheel, or dragging on an empty area.
- Zoom: Trackpad pinch-to-zoom or Cmd / Ctrl + scroll wheel.
- Lasso Selection: Shift + drag on the canvas (or use the lasso tool in the toolbar) opens a selection box for multi-select.
- Pan Lock: Prevents accidental panning of the canvas.
- Snap to Grid: Snaps elements to a grid for a clean layout ("SNAP" button).
Devices, Zones & Notes
Upon opening for the first time or clicking Sync (or Reset → Restore from HW Setup), all consoles and stageboxes from the Hardware Setup are placed on the canvas and grouped into matching zones.
- Add Device: Manually add additional devices (e.g., switches, routers, outboard).
- Add Zone: Visually group devices into new areas.
- Add Note: Free text notes for IP addresses or instructions.
Color Coding: Roles are color-coded: FOH (Blue), MON (Orange), Interface (Green), Stage (Grey), and Custom (Purple).
Drawing Connections (Connect Mode)
- Click the CONNECT button (or activate "CONNECT" in mobile mode).
- Click the starting device.
- Click the target device.
- The routing style can be toggled in the top toolbar (Manhattan, Manhattan-fanned, Bezier curve).
X-Ray Filter & Colors
In the bottom left of the canvas, you will find the X-Ray Filter panel. This helps keep track of different audio networks in complex setups:
- Visibility: Clicking a protocol (e.g., Dante) hides all other cable routes.
- Customize Colors: Clicking the circular color swatch next to the name opens a color picker. The chosen line color is saved for the entire project.
Inspector & Multi-Select
Clicking a device (or using a lasso selection of multiple devices) opens the Inspector on the right side.
- Device Properties: Enter IP address, VLAN, Subnet Mask, and Firmware.
- Multi-Select: Multiple devices can be duplicated or deleted simultaneously.
- Network Pairing: If you select exactly two devices, "Network Pairing" (Primary/Secondary) appears – perfect for redundant networks (e.g., Dante Primary/Secondary switches).
Lists (Cable & IP Schedule)
In the bottom right of the toolbar, you'll find the LISTS button. This opens a bottom panel with two tables automatically generated from your design:
- CABLE LIST: All manually drawn connections including port, medium, and length.
- IP LIST: All devices with an assigned IP address, VLAN, and firmware version.
Mobile Touch Mode
On smartphones/tablets, a dedicated Action Bar appears at the bottom. Since finger swiping is standard for zoom/pan, interaction modes must be explicitly toggled:
- PAN: Navigate the canvas (devices are not clickable in this mode).
- SELECT: Tap devices to open the Inspector.
- CONNECT: Draw connections.
- ADD: Add a new device.
System Designer Export Studio (PDF, 300-DPI PNG & Excel)
Clicking the export buttons in the top toolbar opens the 2-column System Designer Export Studio with interactive real-time preview, zoom (− 100% + / trackpad pinch), and live page counter:
- 📄 PDF & 🖼️ PNG (300 DPI): Switch between Print Style (White BG) and Dark Canvas Style, toggle Title Block, Protocol Legend, and Fully Expanded (All Ports), with consolidated
(P + S)redundancy badges on Primary/Secondary cable pairs. - Multi-Page Production Book & Single-Zone Filter: Optionally prints a full Production Book (Overview + each Zone individually + Cable Schedule, Hardware Inventory, IP Table & Notes). When exporting individual zones, cross-zone cables automatically receive a destination callout badge (
→ Device) at the zone border. - 📊 Excel (.xlsx): Exports and previews separate sheets for System Diagram, Cable List, Hardware, IP List, and Notes.
18 · AudioPatch Collab
With AudioPatch Collab (included in AudioPatch Tech & Company), you can work on the same project with other team members in real-time. The system automatically synchronizes Stage Inputs, Outputs, Local I/O, and the System Designer across all connected users.
1. Starting a Session (Host)
- Click the Collab button in the left sidebar rail.
- Select "Start new session".
- Optional: Enter an Admin PIN (or set/change it later inside the active room) so you can recover your host rights at any time after a browser reload or on a second device.
- Share the 6-digit Room Code or the invite link with your team.
- Host Rights & Guest Export Toggle: Only the host can modify Project Details, Hardware & Equipment Setup. Using the toggle in the Collab modal, the host can also allow or restrict PDF and Excel exports for invited guests.
2. Joining a Session (Guest)
- Click the invite link or open a project and choose Collab -> "Join session".
- Enter the 6-digit Room Code (if needed, you can also claim Host rights on a second device using the Admin PIN).
Export Control: By default, PDF and Excel exports are locked for guests until the host enables guest exports in the room menu.
3. Live Collaboration & Read-Only Tab-Lock
Once the Collab icon turns green ("Live"), you are connected.
- Divide Positions: Everyone chooses their own tab (e.g., FOH or MON) and works there. Colored letter badges in the tabs show in real time who is working in which tab.
- Read-Only Tab-Lock: Tabs currently being edited by another team member are automatically read-only (with a status toast in the bottom right) while maintaining 100% brightness and legibility: you can freely scroll, switch sub-tabs (Stageboxes, Local I/O, 19" Devices, Racks), and pan/zoom in the System Designer while accidental data edits are blocked.
- Auto-Sync: Your changes are automatically synchronized in the background with all participants.
4. Crew Link (Read-Only)
The host can generate a Crew Link via the Collab menu. This link provides a read-only, mobile-optimized view of the project for technicians (including Stage Inputs, Outputs, Outboard/Devices, a dedicated Hardware Setup Tab, System Designer as an interactive block diagram, and Cable Schedule).
- When activated, the Crew Link QR Code is also automatically printed on the PDF export (cover page and header).
5. Offline Badge & Rejoin
- Offline Badge: If you lose connection, the Collab icon turns red ("Offline"). The system automatically attempts to reconnect in the background.
- Backup & Rejoin: Before every automatic reconnection (e.g., after a page reload), a local backup is saved. Any unsent offline edits remain protected on your device.
19 · Export & Import (Live Export Studio)
Live Export Studio (PDF & Excel)
Clicking Export → PDF or Excel opens the interactive 2-column Live Export Studio:
- Format Switcher: Switch directly between 📄 PDF and 📊 Excel in the top header at any time.
- Sections & Options (left): Select the sections to include (Cover Page, Positions incl. Stageboxes, Local I/O, Slot Cards & Devices, Loom Plan, IEM/RF, System Designer, Rack Planner, Packlist/Inventory, Show Notes) and print formatting options (Black & White, hide Local I/O, hide notes, empty channel filter, 8-channel block gaps, font size).
- Real-Time Sheet Preview (right): Displays every page as an individual sheet card in true DIN A4 Portrait or A4 Landscape (
⇄ A4 LANDSCAPE) geometry, complete with focal-point zoom (− 100% +/ Cmd/Ctrl + mousewheel / trackpad pinch) and a live page counter (Page X / Yin the header and bottom-right on printed pages).
Rack & Inventory PDF Highlights: 1-, 2-, and 3-bay racks (including 28U+ racks) automatically scale so each Front or Rear view fits onto a single page — complete with a permanently bordered Notes / Additionals box on the right for digital area/rack notes or handwritten notes on paper.
RF & Patch Details across all Exports (PDF, Excel, Crew View): In all position tables, 2-line RF details (e.g. AD2 Beta 58 + RX1 AD4Q · CH1 (XLR) or TX1 PSM 1000 · L/R (XLR)) are printed directly on each channel. Additionally, the dedicated IEM & RF section (in PDF, Excel worksheet "IEM & RF", and Crew View) includes the full Patch / Routing column indicating physical and digital destination positions.
Excel Export (.xlsx)
In 📊 Excel mode, you can inspect all worksheets directly via the interactive Sheet Tabs inside the live preview:
| Sheet | Content |
|---|---|
| Hardware Setup | Positions, consoles, stageboxes, slot cards, devices, and connections (first tab). |
| Positions | Per position: Stage Inputs with loom color cells, Outputs, Local I/O, slot cards, and external Outboard/Devices. |
| Loom Plan | All loom assignments as card sections (channel, signal, position, type). |
| Digital Patch | TX/RX channels per connection (for digital links). |
| IEM & RF | IEM channels + UHF microphones including RF parameters and dedicated "Patch / Routing" column. |
| Packlist | Full equipment inventory, packcases (incl. volume & weight), and 19" racks. |
| Festival Bands | Per band a sheet — master values gray, overrides colored, loom changes highlighted orange. |
Backup JSON
Exports the complete project as a .json file. Filename contains project name, artist and date. Load via "Load Backup".
Backup Improvements (v1)
- File size in toast — The confirmation shows the exported file size (e.g. "Backup saved (156 KB)")
- Error toast — If issues occur with the File System Access API, a clear error message appears
- Reliable fallback — If the direct save dialog fails, a blob-based download serves as fallback
Safari (macOS): Safari does not support a "Save As" dialog for downloads. Files are saved directly to the Downloads folder. To choose a save location and filename before each download, enable in Safari: Settings → General → File download location → "Ask for each download".
Export backups regularly! The app saves to browser localStorage — data is lost if cache is cleared or browser is changed.
20 · Pro Shortcuts
Fewer clicks, more output — the most important hidden features at a glance.
Right-Click Context Menu
Right-click on any row in Stage Inputs, Outputs, Local I/O and Digital Patch opens a context menu:
| Action | Description |
|---|---|
| ⎘ Duplicate | Duplicate entire row (all fields) |
| ↕ Swap | Swap two rows (Shift+Click for selection) |
| ⌫ Clear | Clear row content (row stays, content is deleted) |
| Content down | Duplicate row content into the next row |
| Stereo Pair | Declare / remove two rows as stereo pair (badge) |
| Insert rows | Insert empty rows at this position (shifts subsequent channels) |
Digital Patch Context Menu
Right-click on a TX row in Digital Patch — works with multi-select:
| Action | Description |
|---|---|
| ⌫ Clear TX | Delete TX label and TX source of selected row(s) (single or multi-select) |
| Duplicate TX down | Copy TX content to the next row |
| ↕ Swap TX | Swap TX content with the next row |
| ✕ Clear All | Delete both directions (TX + RX) of the entire connection (with confirmation) |
Multi-select: Click = single row, Shift+Click = range, Cmd/Ctrl+Click = toggle. All Clear TX actions apply to the entire selection.
Speed Features
| Feature | Where | What it does |
|---|---|---|
| Fill-Dot | Colored dot bottom-right in loom cell | Click = fills subsequent channels with next free loom channel (ripple-fill) |
| Autofill (Fill Handle) | Square at bottom-right of focused text/name cells | Drag down to increment numbers (Tom 1 → Tom 2), toggle standalone L/R sides (IEM DRUMS L → IEM DRUMS R), and continue numbered stereo pairs in 2-step cycles (IEM 1 L → IEM 1 R → IEM 2 L → IEM 2 R) |
| Live Search | Search field top-right in every table | Filters rows in real-time by name, mic, position |
| Excel Import | Import buttons in every table | Paste tab-separated data from Excel/Google Sheets — columns are auto-detected |
| Auto Split | When creating a connection | 1:1 split is auto-applied — no manual clicking needed |
| Live Loom Planner | Loom tab | Updates instantly when patching — no tab switching needed |
| Light / Dark Mode | Toggle in sidebar | Theme-aware colors across entire app |
Expert Knowledge (Pro-Tips)
- Crew Link Hardware View: When an extremely large number of stagebox cards or engine slots are present, the Crew Link now neatly wraps these on mobile devices (as pills) instead of forcing horizontal scrolling.
- Local I/O Export: In the PDF and Excel export, the local console connections are explicitly listed as "Local I/O" so they visually stand out from the stage racks.
Connection System
Connections in Hardware Setup offer more than just protocol selection:
| Feature | Description |
|---|---|
| 3 Modes | Analog / Digital / Gainsharing — each mode shows only compatible protocols for your hardware |
| Channel Master | Per connection: which position owns the input list (names, mic/DI, columns) — slaves receive a synchronized copy |
| Channel Count | Freely adjustable per connection (8–512 channels) |
| Multiple Connections | More than 1 connection between the same pair possible (e.g. MADI + Dante) |
| Detail Panel | Click connection card → channels, master, protocol options, delete |
| Connection Name | Optional name (e.g. "Main Snake") — appears in position header, wire, PDF and Excel |
Loom Pro Features
| Feature | Description |
|---|---|
| S/R Loom | Outputs can be set to "S/R" (Send/Return) — send and return on different looms |
| Tielines & CrossCores | Patched directly in the Loom & Channel dropdown (T.A, X.A + Ch 1) on Outputs (Send) and Inputs (Return) — with directional counting and automatic signal name transfer to the Input |
| Analog Y-Split | Share analog inputs via Y-Split... in the Loom dropdown (or right-click) (1x XLR F → 2x XLR M): Main channel shows Y-Main → <Target>, branch adopts <Name> · Y (from <Main>), locks +48V off, and counts XLR Y-Split in the Pack List |
| AES Auto-Pair | Patch on odd CH → partner (even CH) is automatically set to same loom:channel |
21 · Workflow
Phase 1 — Advance (Office)
| # | Action | Where |
|---|---|---|
| 1 | Create new project, enter artist + venue | Logo → New Project |
| 2 | Configure FOH and MON console + stageboxes | Setup |
| 3 | Set split type + split master | Setup |
| 4 | Import input list from rider (copy & paste) | Import List |
| 5 | Assign mic/DI per channel | Mic/DI column |
| 6 | Run Auto Loom Patch | Auto Loom Patch |
| 7 | Create outputs (wedges, IEM, PA, sidefill) | Outputs section |
| 8 | Configure digital patch (TX Auto-Patch) | Digital Patch Tab |
| 9 | Configure IEM/RF channels | IEM/RF Tab |
| 10 | Export PDF and distribute to crew | Export → PDF |
22 · Keyboard Shortcuts & Tips
| Shortcut | Action |
|---|---|
| Cmd/Ctrl + S | Save (Auto-Save) |
| Cmd/Ctrl + Shift + S | Save Project File (.json) |
| Cmd/Ctrl + O | Load Project File (.json) |
| Cmd/Ctrl + P | Open PDF Export Studio |
| Cmd/Ctrl + I | Open Project Details |
| Cmd/Ctrl + J | Toggle Ask Jay (AI Assistant & Rider Import) |
| Cmd/Ctrl + Shift + H | Open Hardware Setup |
| Cmd/Ctrl + Shift + E | Open Equipment Setup |
| Cmd/Ctrl + Shift + D | Open System Designer |
| Cmd/Ctrl + Shift + L | Open Live Collab & Crew Link |
| Cmd/Ctrl + Z | Undo (incl. TX Auto-Patch, Clear All, split changes) |
| Cmd/Ctrl + Shift + Z | Redo |
| Cmd/Ctrl + + / - | Zoom UI in / out |
| Cmd/Ctrl + 0 | Reset UI zoom to 100% |
| ? | Toggle help mode |
| Shift + Click | Multi-select (stereo, swap) |
| Enter | Confirm input field |
| Tab | Next row, same column (vertical navigation in all tables) |
| Shift + Tab | Previous row, same column |
Adjust column widths: In Digital Patch, drag the column dividers in the table header — widths are saved.
UI Zoom: Use Cmd/Ctrl + +/- to perfectly fit the UI to large external displays or small laptop screens. Cmd/Ctrl + 0 resets it back to 100%.
Fast mic input: The Mic/DI field has autocomplete. Type „SM" and choose from 300 predefined microphones and DI boxes.
Drag & Drop: Reorder channels using the ⠇ handle. Order is saved immediately.
23 · Equipment Setup (Detail)
Open Setup → Equipment Setup. All settings are saved per project.
Stage Positions
Dropdown values for the Position column in the input table. Default: Drums, Percussion, Bass, Keys, Guitar, Brass, Strings, Vocals, Choir, DJ, Playback, FOH.
- New position: text field + "+ Add"
- Rename: directly in the text field
- Delete: ✕ (existing assignments remain as text)
Also controls Auto Loom Patch: Channels with the same position end up in the same loom.
Output Categories
Dropdown for the Category column in the output table. Default: Monitor Wedge, IEM, Sidefill, Drumfill, PA Main, PA Sub, PA Front Fill, PA Delay, Broadcast, Recording, Intercom.
Used as grouping criterion for outputs in Auto Loom Patch.
Stand Types
Dropdown for the Stand column. Default: Large Stand, Boom, Desk Stand, Clip, Overhead, DI Floor, DI Rack.
Microphone List
Dropdown values for the Mic / DI column in the input table. You can add custom microphones and DI boxes to this global list, making them permanently available for your project and when saving your profile.
Table Columns
Toggle individual standard columns on/off:
| Input Table | Output Table |
|---|---|
| Microphone | Typ |
| Position | Category |
| Stand | Position |
| Info | Info |
| 48V Phantom | — |
Custom Columns
Add custom columns separately for inputs and outputs. Examples:
- Phase — Phase invert yes/no
- Pad — -10/-20 dB
- Phantom — 48V an/aus
- Insert — external insert device
- Amp CH — amplifier channel
Auto-Loom Rules
| Checkbox | Effect |
|---|---|
| Group by stage position | Channels with the same position end up in the same loom |
| Keep stereo pairs together | Stereo pairs are never split across different looms |
| Keep existing | Only channels without loom assignment are filled |
| ↑ Fill from top | Fill looms from CH 1 upward |
| Outputs by category | Group outputs by category (IEM together, Wedge together) |
Loom Settings
Stage Looms (A, B, C...)
- Default: A–F (6 looms à 8 channels)
- Change color by clicking the color chip
- Channel count per loom individually adjustable
- New looms via "+ Add Loom"
- Standard CH/Loom (top right): Global default channel count for all stage looms
Multicore (MC, MC2...)
- MC = main multicore (cannot be deleted)
- Additional via „+ Multicore"
- Own channel count and color, independent of stage looms
- Typical: MC = 24ch stage→FOH, MC2 = 12ch returns
Tielines (T.A, T.B...) & CrossCores (X.A, X.B...)
- Rack-to-rack and stagebox cross-connections (e.g. FOH rack → MON rack)
- Each tieline / CrossCore: Name, Color, Channel count
- Selectable directly in the Loom & Channel (
Ch 1) dropdown on Outputs (Send) and Inputs (Return) (directional counting + auto signal name) - Shown as a separate section in the loom plan
Apply Standard CH/Loom sets ALL stage looms to the new channel count and clears auto-loom assignments. Multicore and tielines remain unchanged.
24 · Hardware Scenarios
A&H dLive (gigaACE Split)
| Position | Console | Stagebox | Split |
|---|---|---|---|
| FOH | dLive S5000 | DM64 (gigaACE → Stage DM48) | gigaACE |
| MON 👑 | dLive S7000 | DM48 (Stage) | gigaACE |
Split Master = MON (physical stage MixRack). FOH receives mirror via gigaACE. MON = Channel Master.
DiGiCo SD Series (Optocore Split)
| Position | Console | Stagebox | Split |
|---|---|---|---|
| FOH 👑 | SD12 | SD-Rack (56in/56out) | Optocore |
| MON | SD12 | — | Optocore |
Both consoles in the same Optocore ring. SD-Rack slots: Input cards (8×Mic/Line), Output cards (8×Line).
Yamaha RIVAGE (TWINLANe Split)
| Position | Console | Stagebox | Split |
|---|---|---|---|
| FOH 👑 | RIVAGE PM5 | RPio622 (+ HY144-D) | TWINLANe |
| MON | RIVAGE PM3 | — | TWINLANe |
Assign MY expansion cards in setup under slot configuration.
Midas M32 + Transformer Split
| Position | Console | Stagebox | Split |
|---|---|---|---|
| FOH 👑 | M32 | DL32 (AES50) | Trafo Split |
| MON | M32R | DL16 (AES50) | Trafo Split |
External transformer splitter. No gainsharing for analog split.
Festival Patch Mode (3+ Positions)
The Festival Patch Mode is a special operating mode for festivals with multiple bands. It is activated via Hardware Setup → "Enable Festival Mode".
Concept: There is one central Stage Splitter with a fixed Master Patch. Each band gets its own band tab with the ability to override individual channels — all other channels automatically follow the Master Patch.
Architecture
| Element | Function |
|---|---|
| Stage Master (Splitter) | Physical stage split box. Defines channel count (8–64 CH) and loom assignments. Immutable per band. |
| FOH / MON | Receive the split. Have their own independent outputs (stagebox configuration). |
| Band Tabs | One tab per band. Shows Master Patch + overrides. Channels without override follow the master. |
| Output Master | Which position (FOH or MON) sends outputs to the stage split box. Can be set to "None". |
Setup Steps (Festival)
- Open Setup → "Enable Festival Mode"
- In Stage Master: Choose splitter size (8, 16, 24, 32, 40, 48, 56 or 64 channels)
- Configure fanouts: which positions (FOH, MON, …) receive a split
- Select Output Master (e.g. MON) — or "None" if no outputs go back to stage
- In the Master Patch Tab: enter inputs and loom assignments for the complete stage
- Add bands via "+ Band" in the tab bar
- Per band: enter deviating channels as overrides — all others follow the master
Band Tab Controls
| Element | Function |
|---|---|
| Checkbox (✓) in SPL column | Checked: channel follows Master Patch (read-only, blue highlight). Unchecked: band can enter own data. |
Loom Badge (e.g. B:3) | Shows deviating loom assignment for this band vs the master. |
| ⊘ (strikethrough symbol) | Solo mode: this band is the only act — stage splitter is bypassed, direct patching without split. |
| Auto Split / Clear Split | Same as normal positions — only affects this band tab. |
| Auto Loom / Reset Loom | Assigns loom channels band-specifically / resets them. |
| Import In | Import channel names from a list (copy & paste) into the band tab. |
Solo Mode (⊘)
When a band is the only act (no splitting needed), the Solo Mode can be activated. Fields become directly editable — the stage splitter is logically bypassed. In Festival Overall and PDF, solo mode is highlighted with a red banner.
Loom Badges: In the Festival Overall tab and PDF export, each band shows which channels use a different loom than the master. The badge shows loom letter and channel (e.g. B:3) in the loom color.
Festival Overall Tab
The Festival Overall tab (next to "Patch") shows a complete overview: Master Patch on the left, one column per band on the right. Deviating channels, loom differences and solo markers are visible at a glance.
Festival Scenario: Midas M32 + Analog Split
| Position | Console | Stagebox | Split |
|---|---|---|---|
| Stage Master | — | Passive Splitter Box (48 CH) | Trafo Split |
| FOH 👑 | M32 | DL32 (AES50) | Trafo Split |
| MON | M32R | DL16 (AES50) | Trafo Split |
Output Master = MON. Bands with individual rider requirements get their own band tabs with loom overrides.
Midas M32 and Behringer X32/S-Series are fully compatible — both use AES50 (SuperMAC). You can combine e.g. an M32 with a Behringer S32 stagebox.
25 · Advanced Features
Drag & Drop
Each row: grab the ⠇ handle → drag up/down → release. SB# is automatically renumbered.
Auto Split 1:1
Toolbar button. Assigns split channels: CH1→Split1, CH2→Split2 etc. For slave positions the dropdown shows available master channels.
Notes Tab
Free text field — crew briefing, checklists, change notes. Also exported in the PDF.
History Tab
Automatic changelog of all changes with timestamp.
Manufacturer Info (Drawer)
Pill buttons per manufacturer. Each page: network protocol, stageboxes, setup example in AUDIOPATCH notation.
Help Search (Help)
In the info drawer, full-text search across 20+ help articles. Categories: Navigation, Setup, Patch & Loom, Inputs & Outputs, IEM/RF, Export, Shortcuts.
Data Storage
- localStorage — everything stays local, no cloud
- Auto-Save on every change
- Switching browsers = new data → export backup!
- Incognito = data lost on close
Before every browser update and after every show: export a Backup JSON. localStorage may be lost when cache is cleared.
26 · Technical Glossary
| Term | Explanation |
|---|---|
| AES/EBU | Digital audio format (2 channels per XLR, 110Ω balanced) |
| AES50 | Digital audio network (Midas/Behringer). 48ch bidirectional per CAT5e |
| Bodypack | Belt-pack receiver for IEM, worn on musician's belt |
| Dante | IP-based audio network (Audinate). Up to 512ch over Gigabit Ethernet |
| DI-Box | Direct Injection — converts unbalanced line to balanced mic signals |
| Drumfill | Monitor speaker behind the drum kit |
| FOH | Front of House — mixing console position in the audience area |
| Gainsharing | Digital split with shared preamp stage and individual trim compensation |
| gigaACE | Allen & Heath proprietary audio network (128ch, 52μs, EtherCon) |
| IEM | In-Ear Monitoring — wireless monitoring via earphones |
| Loom | Physical multicore cable bundling multiple signals (e.g. 8× XLR → Sub-D) |
| MADI | Multichannel Audio Digital Interface (64/128ch via BNC or fiber) |
| MixRack | External preamp/converter unit, connected to the console via network |
| MON | Monitor — mixing console position on stage (side stage) |
| Multicore | Main connection between stage and FOH (often >24 channels) |
| MY-Slot | Yamaha expansion slot for optional I/O cards (Dante, MADI, AES) |
| Optocore | DiGiCo proprietary audio network (fiber, up to 128ch, <1ms) |
| Phantom | 48V phantom power for condenser microphones |
| Preamp | Preamplifier — converts weak mic signals to line level |
| Rider | Technical requirements list of a band/artist |
| Sidefill | Stage speakers on the sides for monitoring without IEM |
| Split | Signal distribution: one input → multiple consoles |
| Stagebox | Remote I/O unit on stage (multicore or digital snake) |
| Sub-D | Multipin connector for analog multicore (25-pin = 8ch) |
| Tieline | Direct cable connection between two racks |
| Trim | Fine adjustment of signal level after the preamp (±20dB) |
| TWINLANe | Yamaha RIVAGE proprietary audio network (fiber, 128ch) |
| UHF | Ultra High Frequency — frequency range for wireless (470–960 MHz) |
| Wedge | Stage speaker as floor monitor (wedge shape) |
27 · FAQ & AudioPatch Pro Activation
AudioPatch doesn't use annoying user accounts or passwords. Your Pro access is entirely managed by a Token (a cryptographic JWT access key) that is stored locally in your browser (in
localStorage). This makes the app extremely fast and privacy-friendly, but it also means: If you constantly browse in "Incognito Mode" or have your browser set to delete all data when closed, you are throwing away your own access key every time.
1. How do I activate & manage AudioPatch Pro?
It's easy: When you start your 7-day free trial or subscription, you receive a welcome email. Click the "Activate Pro Access" button. The app will open, securely store your token in the background, and unlock all Pro features immediately.
Alternatively, you can copy the activation link or code from the email, open the upgrade modal in the app, and paste it at the bottom under "Already have an activation code?". Once Pro is active, all Pro features are unlocked. On the Company plan you can additionally upload your custom PDF company logo & footer.
New device and no email at hand? In the upgrade modal, open "Or sign in by email", enter the email address of your subscription and click "Sign in by email". If an active subscription exists, a sign-in link is sent to the email address stored at Paddle. For security reasons the app always shows the same message, whether or not a subscription was found.
View and manage your license: In the Setup menu on the left (gear icon → Pro & License) you can open the PRO window at any time (showing plan, status, validity and number of devices while Pro is active; on the Company plan also via the Export menu → Custom Logo). There you will find "Manage Subscription (Paddle)" (cancellation, payment method, invoices in the Paddle customer portal) and "Sign out on this device". Without an active license the PRO window shows "Activate Pro" and "Manage subscription and invoices (Paddle)". You can also open the public Paddle customer portal directly; you sign in there with a link sent to the email address of your purchase.
2. Help, my Pro status suddenly disappeared!
Don't panic! Your subscription isn't necessarily gone. This usually happens in these cases:
- You haven't opened the app online in a long time and your local token (valid for 30 days) expired.
- You cleared your browser data or are using a new device.
- Your subscription ended or was paused.
- Your license was activated on a further device and this device was the oldest one (see question 3).
The Solution: Sign in again with "Sign in by email" in the upgrade modal, or click the activation link from your welcome email again or paste the code into the app. The server verifies your Paddle subscription and automatically issues a fresh token in the background; it is valid for 30 days and renews itself while you are online. If the subscription has ended, Pro stays locked until you reactivate it in the Paddle customer portal or subscribe again.
3. How many devices can I use AudioPatch Pro on?
On the AudioPatch Tech (€4/month) plan, you can use Pro on up to 2 personal devices simultaneously (e.g. your laptop at the hotel + iPad at FoH), and the same applies during the free trial. On the AudioPatch Company (€19/month) plan, up to 10 devices across your team can be active simultaneously.
A device is a browser installation: a different browser or browser profile on the same computer counts as a separate device, and so does a browser whose site data was deleted. If you activate Pro on a further device beyond the limit, the device that was activated earliest is signed out automatically. That device can sign in again at any time (which then signs out the now-oldest device). The limit is only enforced during an online check: a device without internet keeps working until its token expires or its next check.
With "Sign out on this device" in the PRO window you free a slot immediately. The activation link and code from the email are personal: please do not share them.
4. I didn't receive an activation email
Please check your Spam or Junk folder first for an email from noreply@audiopatch.net. Corporate emails might sometimes delay it by 1-2 minutes. You can also have a new link sent at any time: "Sign in by email" in the upgrade modal, using the email address you gave to Paddle at checkout. If nothing arrives anyway: send us a quick support email.