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AUDIOPATCH

User Guide — Efficient Signal Routing for Live Touring
v2 · User Guide · April 2026
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1 · Introduction

AUDIOPATCH is a browser-based planning app for signal routing in live productions. The app maps the complete signal flow from stage to console input — including split, multicore allocation, digital snake routing and IEM/RF frequency planning.

Who is this for?

RoleBenefit
System TechnicianComplete patching, loom planning, pack list, split matrix
Monitor EngineerSlave position with split channels, local I/O, IEM channels
FOH EngineerMaster position, stagebox configuration, output routing
Production ManagerPDF export, show preparation, hardware overview

3-Layer Model

Stage (Stage Inputs)
Mics, DIs, Playback → Looms → Stageboxes
▼
Connection (Split / Digital Snake)
Trafo-Split, gigaACE, Optocore, Dante, MADI, AES50...
▼
Positions (FOH, MON, Recording...)
Console → Outputs → Wedges, IEM, PA, Sidefill

Recommended Browser: Google Chrome. AUDIOPATCH works in all modern browsers but is primarily developed and tested in Chrome. Safari may occasionally cause caching issues or rendering glitches with dropdown menus. For the best experience, we recommend Google Chrome, Microsoft Edge, or Brave.

2 · Quick Start

  1. Open App — Runs directly in the browser, no installation needed
  2. New Project — Click the AUDIOPATCH logo → "+ New Project"
  3. Choose Template — „Band 48 CH" for a typical touring rider
  4. Configure Hardware — Setup → select console and stageboxes
  5. Patch Inputs — Stage Inputs are automatically populated from the stagebox
  6. Assign Looms — „Auto Loom Patch" distributes channels across multicore cables
  7. Export PDF — Export → PDF for the crew

Install as App (PWA)

AUDIOPATCH is a Progressive Web App (PWA) — you can install it like a native app on your device without visiting an app store. The app then runs in its own window without a browser toolbar.

Data stays local: All projects are stored in the browser's localStorage — even after installation. Create regular export backups (JSON)!

iOS / iPadOS (Safari)

  1. Open audiopatch.net in Safari
  2. Tap the Share icon ⎋ (bottom toolbar)
  3. Select "Add to Home Screen"
  4. Confirm the name → tap "Add"

The app appears as an icon on your Home Screen and opens in fullscreen without the Safari toolbar.

Android (Chrome / Samsung Browser)

  1. Open audiopatch.net in Chrome
  2. Tap the menu ⋮ (top right)
  3. Select "Install app" or "Add to Home Screen"
  4. Confirm

Alternatively, an install banner may appear automatically at the bottom of the screen.

Desktop (Chrome / Edge / Brave)

  1. Open audiopatch.net in the browser
  2. Click the install icon ⊕ in the address bar (right side of URL)
  3. Confirm "Install"

AUDIOPATCH then opens as its own window — independent from the browser, with its own icon in the Dock / Taskbar.

Benefits of Installation

BenefitDescription
Standalone windowNo browser chrome, full screen space for the app
Icon in Dock / DesktopQuick access like a native app
Offline useApp shell loads after first visit even without internet
No update requiredUpdates arrive automatically on next load

Firefox: PWA installation is currently not supported by Firefox Desktop. Please use Chrome, Edge or Safari.

4 · Project Management

Create New Project

  1. Click the AUDIOPATCH logo in the sidebar
  2. "+ New Project" → enter name
  3. Choose Template:
    • Empty — Empty project
    • Band 24 CH — Standard band, 24 split channels
    • Band 48 CH — Full setup with playback, UHF, timecode
    • Festival — Like 48 CH, but with "Stage Master" (Splitter), FOH and MON. Master patch controls all signals and looms centrally.

Project Details

In the Projects drawer at bottom: Name, Artist, Venue, Date. All fields appear in the PDF header.

Duplicate Project

Right-click a project → "Duplicate". Creates a full copy with a new name. Perfect for tours: same setup, new venue.

5 · Hardware Setup

Open the Setup drawer () → Hardware Setup.

Smart Hardware Selection

Consoles and stageboxes are selected via a native, responsive 2-column dropdown. The left column lists the manufacturer (e.g., DiGiCo, Yamaha), and the right column lists the specific models. The dropdown automatically positions itself above the button to prevent being cut off at the edge of the screen.

Supported manufacturers: Allen & Heath, Avid, Behringer, DiGiCo, Lawo, Midas, Soundcraft, SSL, Waves, Yamaha — totalling 82 consoles in the database.

The console determines:

  • Number of Local Analog In/Out (built-in at the surface)
  • Number of Local AES In/Out (built-in AES connectors)
  • Expansion Slots (MY, DMI, D21m — depending on manufacturer)

Configure Stageboxes

  1. Click "+ Add Stagebox"
  2. Select model (filtered by console compatibility)
  3. Swap Stagebox: You can change the type of an existing stagebox at any time using the dropdown below the stagebox name. If the channel count changes, you will be asked whether the channel data of subsequent stageboxes should be preserved in their place or shifted.
  4. For modular stageboxes (e.g. DiGiCo SD-Rack): configure I/O cards
  5. For MixRacks (e.g. A&H DM64): assign I/O slots (Dante, MADI, gigaACE)

The stagebox determines the maximum channel count of the position. Stage Inputs are automatically adjusted to match the stagebox size.

Set Split Master

The Split Master defines the shared stage input list and has preamp authority (Gain Master). Typically: MON is Split/Gain Master — the monitor engineer controls the preamps, as consistent levels are needed for IEM. FOH works as slave with trim compensation.

For a gigaACE setup (A&H dLive): Split Master = position with the physical stage MixRack. Slaves receive a digital mirror via gigaACE.

Outboard / Devices (+ Device)

Under Outboard / Devices, you can add any of the 1,057 devices from the hardware database (e.g., system processors, FX units, converters, interfaces) or custom devices to each position:

  • Universal I/O & Slot Cards: AudioPatch automatically resolves all physical audio inputs and outputs of the device plus installed expansion slot cards and creates a dedicated 🎛️ 19" Devices sub-tab inside the position view.
  • Drag & Drop Sorting: Multiple devices can be reordered via drag & drop in Hardware Setup and automatically appear in the 19" Rack Planner inbox.
  • Synchronized Export: All patched device channels (incl. Loom, CrossCore, and Tielines) are exported under a unified device header across PDF, Excel, and Crew Link.

Connections

Connections between positions (or directly to external Devices) define the split protocol (Analog, gigaACE, Optocore, MADI, Dante etc.) and channel count. Each connection can optionally have a name (e.g. "Main Snake", "IEM Link") — the name appears in the position header, connection wire, PDF and Excel export.

  • Add connection: In HW Setup at the bottom: select source position/device ↔ target position/device → "+ Connection"
  • Set name: Directly in the connection card header — text field between the position dropdowns
  • Choose protocol: Analog / Digital / Gainsharing tab → protocol button

6 · Stage Inputs & Patching

Adding Channels

  • With stagebox: Channels are automatically created from the stagebox size
  • Without stagebox: Manually via "+ Add" or " Import List"

Smart Import (PDF, CSV & Paste)

The Smart Import lets you directly import complete input/output lists from PDFs, Excel, Numbers, CSV or Google Sheets. Columns are automatically detected and mapped by an AI-like, extremely robust heuristic.

  1. Click „ Import" (available for Stage Inputs, Outputs, Local In/Out, Slots, Band Import)
  2. File Import: Directly select a .pdf or .csv file – or just paste your data into the text field.
  3. Automatic column detection: Name, Mic, Position, Loom, Stand, 48V, Info, Category
  4. Dropdown per column to adjust mapping — Swap logic: reassigning a field automatically clears its old assignment
  5. Mode: Overwrite / Fill empty channels only
  6. Start at CH: Import begins at the selected channel

PDF Magic: The importer repairs even totally broken PDFs! Multi-line headers, shifted spaces, or adventurous spellings (e.g., "Beta-91" vs "Beta 91") are automatically ironed out through fuzzy logic and X/Y coordinate analysis.

Copy directly from Excel or Google Sheets — tab separation is auto-detected. Header rows are detected and used as column labels.

Loom Detection

Combined Loom+Channel values like F-1, A.12, MC1-3 are automatically split into loom name and channel number. Only looms that exist in the project are imported.

Validation

Values for Loom, Position, Stand and Category are checked against project data. Missing values are highlighted in red () and skipped during import. A summary appears directly above the Import button.

Advanced Recognition & Auto-Setup

  • Robust Value Detection: 48V is recognized in over 30 formats (ja, yes, +48V, req, [x] etc.). Looms also detect prefixes (e.g. "Loom A:3", "Snake B-4").
  • Secure Loom Import: Only explicitly mapped or newly added looms in the mapping panel are imported. Unknown (ignored) looms no longer cause accidental assignments.
  • Auto-Enable Columns: Columns that are imported (e.g. 48V, Stand, Category) are automatically enabled for the UI in the Equipment Setup.

Copy directly from Excel or Google Sheets — Tab separation is automatically detected. Header rows are recognized and used as column labels.

Input Table Columns

ColumnDescription
SplitAssigned split channel (or Link CH for digital)
SB#Stagebox channel (physical input)
InputSignal name (e.g. "Kick In", "Lead Vox")
Mic / DIMicrophone / DI box or wireless patch (UHF receiver / IEM loop-out)
LoomMulticore cable (A–F), Tieline (T.A), or CrossCore (X.A) + channel (Ch 1), plus Analog Y-Split... (1x XLR F → 2x XLR M)
PositionStage position (Drums, Bass, Keys, Guitar...)
StandStand type (Boom, Clip, DI Floor...)
InfoFree text note
48VPhantom power on/off (red dot = active). Column toggleable in Equipment Setup.

Mic / DI & Wireless Patching (UHF / IEM Loop)

Clicking into the Mic / DI field opens the combined selection menu:

  • Wired Microphones & DIs: Search the built-in database with over 300 microphones and DI boxes via autocomplete or direct list selection.
  • Wireless / UHF (IEM/RF) ▸: Positioned at the very top of the menu. Opens direct patching to your UHF receivers (RX 1..N via XLR Out, TRS / Jack Out, or AES3) or an IEM Loop-Out (TRS) from an IEM transmitter (TX 1..N).
  • Smart Auto-Jump: The flyout automatically jumps to the next receiver with available channels and highlights the next free channel in green (Free).
  • Cascade Patching & Multi-Select: Clicking "Patch from Ch X" fills all subsequent receiver channels sequentially. When multiple rows are selected using row handles (Shift+click), a single click patches across all selected rows.
  • 2-Line Cell & Live Sync: The cell displays the microphone or handheld model on line 1 (e.g. AD2 Beta 58) and the hardware source on line 2 (e.g. RX1 AD4Q · CH1 (XLR)). Channel name and label stay bidirectionally synchronized with the IEM / RF tab in real time.

Analog Y-Split (1x XLR F → 2x XLR M)

Select Y-Split... directly in the Loom dropdown (or via the right-click context menu) on any Analog Input (Stage Inputs, Local Analog In, or analog 19" Device In; no AES3 channels) to split the signal to a second Analog Input on the same or another position:

  • Main Channel (Y-Main): Keeps its assigned Loom (e.g. F / Ch 9) and displays Y-Main → <Target> underneath.
  • Branched Channel (Y-Branch): Automatically adopts the signal name as <Name> · Y (from <Main>) and displays Y-Split from <Main> (<Loom>) in the Loom cell.
  • +48V Lock & Clean Packlist: On the branched channel, +48V is automatically locked off (phantom = false), Mic / DI, Position, and Stand remain empty (no duplicate mic count), and an XLR Y-Split (1x F → 2x M) adapter is automatically added to the Pack List / Inventory.

Context Menu (Right-click)

  • Y-Split (Select partner)... / Unlink Y-Split — Link or unlink an Analog Y-Split (1x XLR F → 2x XLR M) with a second analog input
  • Duplicate — Creates a copy below the channel
  • Swap — Exchange two channels (Shift+Click on second channel)
  • Clear — Clear channel name and mic
  • Delete — Remove channel

Stereo Pairs

  1. Shift+Click on two adjacent channels
  2. Right-click → "Declare as stereo pair"
  3. Symbol appears between rows
  4. Auto Loom Patch keeps stereo pairs in the same loom
  5. IEM Planning: Stereo pairs in outputs are automatically recognized as stereo IEM channels in the IEM/RF tab when using "Auto-Generate"

7 · Outputs & Monitor-Sends

ColumnDescription
CHOutput channel number
OutputSignal name (e.g. "Drums Wedge", "IEM Lead")
CategoryMonitor Wedge, IEM, PA Main, Sub, Sidefill, Drumfill, etc.
LoomMulticore assignment for the return path
InfoFree text

A red badge (e.g. 12/8) indicates more outputs are assigned than the stagebox physically has. Check configuration!

Category & IEM Transmitter Patching

Clicking the Category dropdown opens the category menu with direct in-ear transmitter integration:

  • Standard Categories: Monitor Wedge, PA Main, Sub, Sidefill, Drumfill, etc.
  • IEM ▸: Positioned at the very top. Opens the list of all configured in-ear transmitters (TX 1..N) and automatically jumps to the next available transmitter.
  • Stereo Pair Patching (L/R): Select "Stereo L/R" to automatically assign two consecutive output rows and link them as a stereo pair. Alternatively, individual sides (L or R) can be patched to XLR, TRS Loop, or AES3.
  • Multi-Select Fill: When multiple output rows are selected (Shift+click), the system distributes IEM transmitters sequentially across the entire selection.
  • 2-Line Display & Live Sync: The category cell displays IEM on top and the transmitter binding below (e.g. TX1 PSM 1000 · L/R (XLR)). The signal name stays bidirectionally synchronized with the IEM label and bodypack name in the IEM / RF tab.

8 · Local I/O & AES

Each console has local connectors on the surface/rack, managed separately:

  • Local Analog In — Physical inputs on the console (e.g. FOH stage mic, talkback)
  • Local Analog Out — Physical outputs (e.g. shoutbox, DiOut TC, matrix)
  • Local AES I/O — AES/EBU connections with direction (In/Out), signal and loom

RF Patching on Local Ports & Slots: Local Analog In/Out, Local AES In/Out, and console expansion cards (DMI / Slot) also support direct patching of UHF receivers (including digital AES3 feeds) and IEM transmitters via Mic / DI and Category.

Tieline & CrossCore Patching

Tielines (T.A, T.B) and CrossCores (X.A, X.B) are physical point-to-point cable connections between positions, stageboxes, or racks (e.g. FOH ↔ MON). They are patched on both Outputs (Send) and Inputs (Return) (Stage Inputs, Stagebox Outputs, Local I/O, and 19" Devices) directly in the Loom & Channel (Ch 1) dropdown (not in the Input Name field):

FunctionDescription
Send (Output)On an Output, select a Tieline (T.A) or CrossCore (X.A) and channel (Ch 1) in the Loom dropdown.
Receive (Input)On an Input, select the matching Tieline/CrossCore channel (Ch 1) in the Loom dropdown → the sending Output's signal name is automatically transferred.
Directional CountingSends (Outputs) and Returns (Inputs) are counted separately per direction — channels already occupied in that direction are marked in the channel dropdown.
AES Auto-PairPatch on odd CH → partner (even CH) is automatically set to same loom:channel.
Ripple-FillLoom cascade fills subsequent channels sequentially. AES pairs are completed automatically.
Unlink / ClearSetting the Loom dropdown back to — removes the Tieline/CrossCore assignment on that channel.

Bidirectional Capacity: Analog tielines carry 1 signal per XLR (maxCap=2 for send+return). AES tielines carry 2 signals per XLR (maxCap=4 for 2× send + 2× return).

Tieline Detail Routing (High-Density)

Tielines automatically store and visualize the complete hardware chain (Send + Return):

  • Loom Planner & Patch Tab: Shows the signal name + "Position · Device IN/OUT Channel" instead of raw port numbers.
  • PDF & Excel Export: Tieline cards and routing tables contain the exact hardware connection of both sides (e.g., "FOH · Avid Stage 64 OUT 1 → MON · Avid Stage 32 IN 5").

9 · Loom System

Loom Types

TypeExamplesPurpose
Stage LoomsA, B, C, D, E, F...Stage → Split / Stagebox
MulticoreMC, MC2, MC3...Main multicore Stage → FOH
TielinesT.A, T.B, T.C...Direct Send/Return links between positions & racks (via Loom & Channel dropdown)
CrossCoresX.A, X.B...Point-to-point cross-links between stageboxes / racks (via Loom & Channel dropdown)
Analog Y-SplitY-Split...Analog 1x XLR F → 2x XLR M branch to a second analog input (+48V lock & Packlist counting)

Colors (Resistor Color Code)

LoomColorCode
A Black1
B Brown2
C Red3
D Orange4
E Yellow5
F Green6
G Blue7
H Violet8

Auto Loom Patch

„ Auto Loom Patch" distributes channels automatically according to configurable rules:

  • Group by stage position — Drums in one loom, keys in another
  • Keep stereo pairs together — L/R end up in the same loom
  • Keep existing assignments — Only empty channels are filled
  • Fill from top — Fills looms from CH 1 upward

Rules configurable under Setup → Equipment Setup → Auto-Loom Rules.

Inputs and Outputs separately: Auto Loom Patch runs separately for inputs and outputs. Both use the same loom pool (A, B, C...) — assignment is based on the stage position. For example, Drums inputs and Drums outputs (Wedge, IEM) end up in the same loom.

Loom Fill-Down

Click the colored dot at the bottom right of the loom cell, then drag downward → fills following channels with ascending loom channels. AES channels are skipped.

10 · Split Configuration

The split defines how stage signals are distributed to multiple positions.

Split Types

TypeDescriptionLatency
Trafo SplitPassive analog split (transformer-isolated)0
Active SplitActive analog split with amplification0
gigaACEA&H proprietary, automatic routing52μs
OptocoreDiGiCo proprietary, fiber<1ms
TWINLANeYamaha RIVAGE proprietary<1ms
dSnake/DXA&H SQ/Qu series<1ms
AES50Midas/Behringer digital snake<1ms
MADI 64Custom digital, BNC/EtherCon<1ms
MADI 128Custom digital, fiber<1ms
Dante/AES67IP-based, custom routing~1ms

Gainsharing

For digital splits, a gainsharing mode is set per connection in Hardware Setup:

  • Off — Each position has independent preamps (default for transformer/active splits)
  • Gain Tracking — The Gain Master controls the preamps, slave positions automatically compensate via trim

The Gain Master is configured per connection. In typical touring setups, MON is the Gain Master to ensure consistent IEM levels.

Auto Split on Setup

When creating or modifying a connection in Hardware Setup, a 1:1 split is automatically applied — no need to manually click "↻ Auto Split" anymore. Manual adjustments are never overwritten.

Slave Position (v1)

Special rules apply to slave positions:

  • Read-Only Stage Inputs — Name, Mic, Position and Info fields are not editable. Data is automatically synced from the Split Master.
  • Split-Channel Dropdown — Shows available master channels with signal names (e.g. "Split 01 — Kick In" instead of just „1"). Makes assignment significantly easier.
  • AES Restriction — AES/EBU inputs on stageboxes cannot be assigned to an analog split, as this is physically not possible.

Data Isolation: When a split is removed, channel data is cleanly separated between master and slave. No data contamination between positions.

11 · Patch Overview

The Patch tab shows all positions side by side: Split matrix, loom assignment, channel status and conflicts at a glance.

RF Integration & IEM / RF Section

  • 2-Line RF Sublines: In position tables, patched wireless microphone and in-ear systems are displayed directly with their exact hardware and port subline (e.g. RX1 AD4Q · CH1 (XLR) or TX1 PSM 1000 · L/R (XLR)).
  • Quick Navigation: Click the ↓ IEM / RF jump button in the top navigation bar to scroll directly to the dedicated RF overview.
  • Dedicated IEM / RF Overview: Displays all UHF receivers and IEM transmitters alongside their routing destinations. Compact route badges summarize channel ranges (e.g. Master Split In 26–29 (XLR)). Hovering over a badge reveals a symmetrical 4-column hover card showing each individual route (e.g. CH 1 → Master Split In 26 (XLR) · BONEZ A).

Avantis CSV Export

For Allen & Heath Avantis: Direct CSV export in Avantis Director format. Import via File → Import CSV in the Director software.

12 · Digital Patch & Connections

Digital connections between positions (MADI, Dante, gigaACE, Optocore, AES50 etc.) are configured via Digital Patch tabs. Each connection has its own sub-tab with protocol and channel count.

Digital IEM / RF Connection (Dante / MADI / Milan)

In the Hardware Setup, consoles can connect digitally (e.g. via Dante or MADI) directly to IEM / RF (Digital) — without forcing the console into a Split Slave role.

  • Console Sub-Tab: The connection appears as a dedicated sub-tab on the console (e.g. MON ⇔ IEM / RF).
  • RECEIVE (← IEM / RF): The Wireless / UHF ▸ menu patches network-capable UHF receivers (RX 1..N) straight onto digital input channels.
  • SEND (→ IEM / RF): The IEM ▸ menu routes console monitor sends directly to network-capable IEM transmitters (TX 1..N).
  • Automatic Name Synchronization: Channel names, transmitter labels, and receiver names stay synchronized across the entire project.

Structure

Each digital patch tab shows two columns:

ColumnDescription
TX SOURCESend side: TX label (signal name), TX source (source dropdown)
→ SEND → [Position]Transmission to partner (channel assignment)
← RECEIVE ← [Position]Receive side: Incoming signals from the partner (automatically synchronized)

TX Auto-Patch

The ↑ TX Auto-Patch button automatically fills TX labels from the stage input list:

  1. Stage inputs are sorted by loom letter and loom channel
  2. TX channels 1–N are filled sequentially with signal names
  3. TX source is automatically set to the corresponding stage input

Undo: TX Auto-Patch is fully undoable via Cmd/Ctrl + Z.

TX Source Dropdown

Each TX channel has a dropdown to link to a stage input. The dropdown shows:

  • Empty entry — No source assigned
  • Stage inputs — e.g. "SI 01: Kick In" — automatically sets the TX label

RX Receive

The right column shows the incoming signals from the partner position. This data is automatically synchronized — e.g. if MON defines TX labels, they appear on FOH as RX Receive.

Clear All

Clears both directions (TX and RX) of the digital connection. Secured by confirmation dialog. Also undoable.

Context Menu & Multi-Select

Right-click on a TX row opens a context menu with:

  • ⌫ Clear TX — Delete label + source of the selected row(s)
  • Duplicate TX down — Copy TX content to the next row
  • ↕ Swap TX — Swap with the next row
  • ✕ Clear All — Delete entire connection (TX + RX)

Multi-select: Click = single, Shift+Click = range, Cmd/Ctrl+Click = toggle. Selected rows are visually highlighted. All Clear actions apply to the entire selection.

Tab Navigation: Tab jumps to the next row in the same column (TX Source or TX Label). Shift+Tab jumps back.

RGB / RX Buttons

ButtonColorFunction
+ R0/128 TXGreenShow/reduce TX channels
+ R0/128 RXOrangeShow/reduce RX channels
↑ TX Auto-PatchPosition colorFill stage inputs → TX channels

13 · Recording / Interface Positions

Interface positions (e.g. REC, Broadcast) are positions without physical stageboxes. They receive their signals exclusively via digital connections (MADI, Dante).

Special Features

  • No stagebox tabs — Instead the tab bar shows the slot connections (e.g. "MADI 128ch ↔ MON", "Dante/AES67 64ch")
  • Default Tab — The first slot tab opens by default (instead of "All")
  • "All" Tab — Shows all digital patch connections stacked, with own header, TX Auto-Patch and Clear All per connection
  • Scrollbar for multiple connections — Max. 500px height per table, scrollable on overflow

Typical Setup

PositionConsoleStageboxConnection
RECRME MADI— (none)MADI 128ch ↔ MON
BroadcastDante-Interface— (none)Dante 64ch ↔ FOH

Interface positions are ideal for multitrack recording: The console at the REC position receives a mirror of all stage inputs via the digital connection.

14 · Loom Planner

The Loom tab shows all multicore assignments sorted by loom letter:

  • Each loom as a separate table with channel assignment
  • Inputs AND Outputs in one overview
  • Basis for the physical assignment plan (Sub-D/EtherCon connectors)
  • Automatically generated from loom assignments

15 · IEM / RF Planner

The IEM / RF tab provides a fully integrated RF management system for in-ear monitoring and wireless microphones, designed around an intuitive 2-column architecture with bidirectional live patching.

Two-Column Architecture

Left Column: IN-EAR (Transmitters)

  • TX 1..N Transmitters: Configure rack-mount transmitters (e.g. Shure PSM 1000, Wisycom MTK952, Sennheiser SR 2050 IEM).
  • + Add & Auto: Use + Add to create new systems manually. ↻ Auto imports existing IEM outputs directly from console positions and automatically pairs stereo outputs.
  • Parameters: Transmitter model, mode (Stereo / Mono), bodypack model (P10R+, EK G4...), and quantity of packs per system.

Right Column: UHF (Receivers & Mics)

  • RX 1..N Multi-Channel Receivers: Rack receivers with up to 32 channels (e.g. Axient Digital AD4Q, Sennheiser EM 6000, Spectera, Lectrosonics DSQD).
  • Channel & Level Switching: Each receiver channel features an individual Mic / Line output level toggle.
  • Transmitters & Spares: Transmitters (e.g. AD2 handhelds, AD1 bodypacks) with RX CH assignment. Multiple transmitters can share the same receiver channel as active spares.
  • Detailed Parameters: LABEL, MIC / CAPSULE (e.g. KSM9, Beta 58, DPA 4088), and TX GAIN per transmitter.

Bidirectional Patching, Route Badges & Hover Cards

Names, labels, and port routing update in real time across the IEM / RF Planner, Stage Inputs, Stage Outputs, Local I/O, and Digital Patch:

  • Header Route Summary Badges: Each receiver and transmitter card header features a live badge showing its physical or digital destination (e.g. Master Split In 26–29 (XLR)).
  • Symmetrical 4-Column Hover Card: Hovering over any route badge displays a card with a clean 4-column route breakdown (e.g. CH 1 → Master Split In 26 (XLR) · BONEZ A).
  • Bidirectional Name Sync: Renaming a wireless mic or IEM bodypack automatically updates the corresponding console channel labels, and vice versa.

Tools & Advanced RF Features

ToolFunction
📻 RF ProfilesSave and switch between different manufacturer configurations (e.g. Festival Shure Axient setup vs. Band Sennheiser Digital 6000).
⚡ EDIT ALLBatch-edit transmitter models, frequency bands, or gain levels across all channels at once.
↕️ Compact ViewSwitch to a high-density table view for fast RF coordination and print overview.
⚙️ Advanced RF SettingsModal per system for RF band, zone, transmit power (TX Power), sensitivity/pad, and custom IEM modes.
🔋 Battery & Rechargeable PlannerCalculates exact primary battery and rechargeable pack requirements with multiplier presets (1×, 1.5×, 2×, 3×), automatically syncing quantities into the Pack List / Inventory.
⚡ Export WWB / WSMExports channel coordination files directly for Shure Wireless Workbench (WWB) and Sennheiser Wireless Systems Manager (WSM).

16 · Pack List

The Pack List tab automatically generates an equipment list:

  • Consoles and stageboxes per position
  • Cable quantities (multicore, Sub-D, EtherCon) plus XLR Y-Split (1x F → 2x M) adapters from active analog Y-Splits
  • Microphones and DI boxes from stage inputs (branched Y-Split channels do not double-count microphones)
  • IEM transmitters and receivers
  • UHF receivers

Cases & Racks (Packlist)

The Packlist system features a comprehensive case management system:

  • Create Cases: New cases can be defined in the Cases tab (including name, dimensions, weight, and notes). You can switch between metric (cm/kg) and imperial (in/lbs) units in the Project Details (sidebar).
  • Colors: Each case can be marked with a color for better visual distinction.
  • Assignment: Equipment can be packed and assigned to cases in the Equipment tab.
  • Overview: The Cases view lists the exact contents (quantity and equipment name) inside each case.
  • Compact Mode: A button in the top right corner allows you to expand or collapse all categories or cases simultaneously.

Additional Equipment & Autocomplete

At the bottom of the Pack List, you can add your own items under Custom Items. When typing into the input field, a smart native autocomplete dialog opens up, suggesting matching equipment from the internal database.

If a Custom Item is deleted later on, it is now automatically purged from all Cases and Racks it was assigned to ("ghost item" cleanup).

17 · System Designer

The System Designer is a freely zoomable canvas interface for visualizing your entire network and signal flow layout. It automatically generates from your Hardware Setup and can be flexibly customized.

Navigation & Canvas (Figma-Style)

The canvas operation is heavily inspired by modern design tools:

  • Pan: Trackpad two-finger swipe, normal scroll wheel, or dragging on an empty area.
  • Zoom: Trackpad pinch-to-zoom or Cmd / Ctrl + scroll wheel.
  • Lasso Selection: Shift + drag on the canvas (or use the lasso tool in the toolbar) opens a selection box for multi-select.
  • Pan Lock: Prevents accidental panning of the canvas.
  • Snap to Grid: Snaps elements to a grid for a clean layout ("SNAP" button).

Devices, Zones & Notes

Upon opening for the first time or clicking Sync (or Reset → Restore from HW Setup), all consoles and stageboxes from the Hardware Setup are placed on the canvas and grouped into matching zones.

  • Add Device: Manually add additional devices (e.g., switches, routers, outboard).
  • Add Zone: Visually group devices into new areas.
  • Add Note: Free text notes for IP addresses or instructions.

Color Coding: Roles are color-coded: FOH (Blue), MON (Orange), Interface (Green), Stage (Grey), and Custom (Purple).

Drawing Connections (Connect Mode)

  1. Click the CONNECT button (or activate "CONNECT" in mobile mode).
  2. Click the starting device.
  3. Click the target device.
  4. The routing style can be toggled in the top toolbar (Manhattan, Manhattan-fanned, Bezier curve).

X-Ray Filter & Colors

In the bottom left of the canvas, you will find the X-Ray Filter panel. This helps keep track of different audio networks in complex setups:

  • Visibility: Clicking a protocol (e.g., Dante) hides all other cable routes.
  • Customize Colors: Clicking the circular color swatch next to the name opens a color picker. The chosen line color is saved for the entire project.

Inspector & Multi-Select

Clicking a device (or using a lasso selection of multiple devices) opens the Inspector on the right side.

  • Device Properties: Enter IP address, VLAN, Subnet Mask, and Firmware.
  • Multi-Select: Multiple devices can be duplicated or deleted simultaneously.
  • Network Pairing: If you select exactly two devices, "Network Pairing" (Primary/Secondary) appears – perfect for redundant networks (e.g., Dante Primary/Secondary switches).

Lists (Cable & IP Schedule)

In the bottom right of the toolbar, you'll find the LISTS button. This opens a bottom panel with two tables automatically generated from your design:

  • CABLE LIST: All manually drawn connections including port, medium, and length.
  • IP LIST: All devices with an assigned IP address, VLAN, and firmware version.

Mobile Touch Mode

On smartphones/tablets, a dedicated Action Bar appears at the bottom. Since finger swiping is standard for zoom/pan, interaction modes must be explicitly toggled:

  • PAN: Navigate the canvas (devices are not clickable in this mode).
  • SELECT: Tap devices to open the Inspector.
  • CONNECT: Draw connections.
  • ADD: Add a new device.

System Designer Export Studio (PDF, 300-DPI PNG & Excel)

Clicking the export buttons in the top toolbar opens the 2-column System Designer Export Studio with interactive real-time preview, zoom (− 100% + / trackpad pinch), and live page counter:

  • 📄 PDF & 🖼️ PNG (300 DPI): Switch between Print Style (White BG) and Dark Canvas Style, toggle Title Block, Protocol Legend, and Fully Expanded (All Ports), with consolidated (P + S) redundancy badges on Primary/Secondary cable pairs.
  • Multi-Page Production Book & Single-Zone Filter: Optionally prints a full Production Book (Overview + each Zone individually + Cable Schedule, Hardware Inventory, IP Table & Notes). When exporting individual zones, cross-zone cables automatically receive a destination callout badge (→ Device) at the zone border.
  • 📊 Excel (.xlsx): Exports and previews separate sheets for System Diagram, Cable List, Hardware, IP List, and Notes.

18 · AudioPatch Collab

With AudioPatch Collab (included in AudioPatch Tech & Company), you can work on the same project with other team members in real-time. The system automatically synchronizes Stage Inputs, Outputs, Local I/O, and the System Designer across all connected users.

1. Starting a Session (Host)

  1. Click the Collab button in the left sidebar rail.
  2. Select "Start new session".
  3. Optional: Enter an Admin PIN (or set/change it later inside the active room) so you can recover your host rights at any time after a browser reload or on a second device.
  4. Share the 6-digit Room Code or the invite link with your team.
  • Host Rights & Guest Export Toggle: Only the host can modify Project Details, Hardware & Equipment Setup. Using the toggle in the Collab modal, the host can also allow or restrict PDF and Excel exports for invited guests.

2. Joining a Session (Guest)

  1. Click the invite link or open a project and choose Collab -> "Join session".
  2. Enter the 6-digit Room Code (if needed, you can also claim Host rights on a second device using the Admin PIN).

Export Control: By default, PDF and Excel exports are locked for guests until the host enables guest exports in the room menu.

3. Live Collaboration & Read-Only Tab-Lock

Once the Collab icon turns green ("Live"), you are connected.

  • Divide Positions: Everyone chooses their own tab (e.g., FOH or MON) and works there. Colored letter badges in the tabs show in real time who is working in which tab.
  • Read-Only Tab-Lock: Tabs currently being edited by another team member are automatically read-only (with a status toast in the bottom right) while maintaining 100% brightness and legibility: you can freely scroll, switch sub-tabs (Stageboxes, Local I/O, 19" Devices, Racks), and pan/zoom in the System Designer while accidental data edits are blocked.
  • Auto-Sync: Your changes are automatically synchronized in the background with all participants.

4. Crew Link (Read-Only)

The host can generate a Crew Link via the Collab menu. This link provides a read-only, mobile-optimized view of the project for technicians (including Stage Inputs, Outputs, Outboard/Devices, a dedicated Hardware Setup Tab, System Designer as an interactive block diagram, and Cable Schedule).

  • When activated, the Crew Link QR Code is also automatically printed on the PDF export (cover page and header).

5. Offline Badge & Rejoin

  • Offline Badge: If you lose connection, the Collab icon turns red ("Offline"). The system automatically attempts to reconnect in the background.
  • Backup & Rejoin: Before every automatic reconnection (e.g., after a page reload), a local backup is saved. Any unsent offline edits remain protected on your device.

19 · Export & Import (Live Export Studio)

Live Export Studio (PDF & Excel)

Clicking Export → PDF or Excel opens the interactive 2-column Live Export Studio:

  1. Format Switcher: Switch directly between 📄 PDF and 📊 Excel in the top header at any time.
  2. Sections & Options (left): Select the sections to include (Cover Page, Positions incl. Stageboxes, Local I/O, Slot Cards & Devices, Loom Plan, IEM/RF, System Designer, Rack Planner, Packlist/Inventory, Show Notes) and print formatting options (Black & White, hide Local I/O, hide notes, empty channel filter, 8-channel block gaps, font size).
  3. Real-Time Sheet Preview (right): Displays every page as an individual sheet card in true DIN A4 Portrait or A4 Landscape (⇄ A4 LANDSCAPE) geometry, complete with focal-point zoom (− 100% + / Cmd/Ctrl + mousewheel / trackpad pinch) and a live page counter (Page X / Y in the header and bottom-right on printed pages).

Rack & Inventory PDF Highlights: 1-, 2-, and 3-bay racks (including 28U+ racks) automatically scale so each Front or Rear view fits onto a single page — complete with a permanently bordered Notes / Additionals box on the right for digital area/rack notes or handwritten notes on paper.

RF & Patch Details across all Exports (PDF, Excel, Crew View): In all position tables, 2-line RF details (e.g. AD2 Beta 58 + RX1 AD4Q · CH1 (XLR) or TX1 PSM 1000 · L/R (XLR)) are printed directly on each channel. Additionally, the dedicated IEM & RF section (in PDF, Excel worksheet "IEM & RF", and Crew View) includes the full Patch / Routing column indicating physical and digital destination positions.

Excel Export (.xlsx)

In 📊 Excel mode, you can inspect all worksheets directly via the interactive Sheet Tabs inside the live preview:

SheetContent
Hardware SetupPositions, consoles, stageboxes, slot cards, devices, and connections (first tab).
PositionsPer position: Stage Inputs with loom color cells, Outputs, Local I/O, slot cards, and external Outboard/Devices.
Loom PlanAll loom assignments as card sections (channel, signal, position, type).
Digital PatchTX/RX channels per connection (for digital links).
IEM & RFIEM channels + UHF microphones including RF parameters and dedicated "Patch / Routing" column.
PacklistFull equipment inventory, packcases (incl. volume & weight), and 19" racks.
Festival BandsPer band a sheet — master values gray, overrides colored, loom changes highlighted orange.

Backup JSON

Exports the complete project as a .json file. Filename contains project name, artist and date. Load via "Load Backup".

Backup Improvements (v1)

  • File size in toast — The confirmation shows the exported file size (e.g. "Backup saved (156 KB)")
  • Error toast — If issues occur with the File System Access API, a clear error message appears
  • Reliable fallback — If the direct save dialog fails, a blob-based download serves as fallback

Safari (macOS): Safari does not support a "Save As" dialog for downloads. Files are saved directly to the Downloads folder. To choose a save location and filename before each download, enable in Safari: Settings → General → File download location → "Ask for each download".

Export backups regularly! The app saves to browser localStorage — data is lost if cache is cleared or browser is changed.

20 · Pro Shortcuts

Fewer clicks, more output — the most important hidden features at a glance.

Right-Click Context Menu

Right-click on any row in Stage Inputs, Outputs, Local I/O and Digital Patch opens a context menu:

ActionDescription
⎘ DuplicateDuplicate entire row (all fields)
↕ SwapSwap two rows (Shift+Click for selection)
⌫ ClearClear row content (row stays, content is deleted)
Content downDuplicate row content into the next row
Stereo PairDeclare / remove two rows as stereo pair (badge)
Insert rowsInsert empty rows at this position (shifts subsequent channels)

Digital Patch Context Menu

Right-click on a TX row in Digital Patch — works with multi-select:

ActionDescription
⌫ Clear TXDelete TX label and TX source of selected row(s) (single or multi-select)
Duplicate TX downCopy TX content to the next row
↕ Swap TXSwap TX content with the next row
✕ Clear AllDelete both directions (TX + RX) of the entire connection (with confirmation)

Multi-select: Click = single row, Shift+Click = range, Cmd/Ctrl+Click = toggle. All Clear TX actions apply to the entire selection.

Speed Features

FeatureWhereWhat it does
Fill-DotColored dot bottom-right in loom cellClick = fills subsequent channels with next free loom channel (ripple-fill)
Autofill (Fill Handle)Square at bottom-right of focused text/name cellsDrag down to increment numbers (Tom 1 → Tom 2), toggle standalone L/R sides (IEM DRUMS L → IEM DRUMS R), and continue numbered stereo pairs in 2-step cycles (IEM 1 L → IEM 1 R → IEM 2 L → IEM 2 R)
Live Search Search field top-right in every tableFilters rows in real-time by name, mic, position
Excel Import Import buttons in every tablePaste tab-separated data from Excel/Google Sheets — columns are auto-detected
Auto SplitWhen creating a connection1:1 split is auto-applied — no manual clicking needed
Live Loom PlannerLoom tabUpdates instantly when patching — no tab switching needed
Light / Dark ModeToggle in sidebarTheme-aware colors across entire app

Expert Knowledge (Pro-Tips)

  • Crew Link Hardware View: When an extremely large number of stagebox cards or engine slots are present, the Crew Link now neatly wraps these on mobile devices (as pills) instead of forcing horizontal scrolling.
  • Local I/O Export: In the PDF and Excel export, the local console connections are explicitly listed as "Local I/O" so they visually stand out from the stage racks.

Connection System

Connections in Hardware Setup offer more than just protocol selection:

FeatureDescription
3 ModesAnalog / Digital / Gainsharing — each mode shows only compatible protocols for your hardware
Channel MasterPer connection: which position owns the input list (names, mic/DI, columns) — slaves receive a synchronized copy
Channel CountFreely adjustable per connection (8–512 channels)
Multiple ConnectionsMore than 1 connection between the same pair possible (e.g. MADI + Dante)
Detail PanelClick connection card → channels, master, protocol options, delete
Connection NameOptional name (e.g. "Main Snake") — appears in position header, wire, PDF and Excel

Loom Pro Features

FeatureDescription
S/R LoomOutputs can be set to "S/R" (Send/Return) — send and return on different looms
Tielines & CrossCoresPatched directly in the Loom & Channel dropdown (T.A, X.A + Ch 1) on Outputs (Send) and Inputs (Return) — with directional counting and automatic signal name transfer to the Input
Analog Y-SplitShare analog inputs via Y-Split... in the Loom dropdown (or right-click) (1x XLR F → 2x XLR M): Main channel shows Y-Main → <Target>, branch adopts <Name> · Y (from <Main>), locks +48V off, and counts XLR Y-Split in the Pack List
AES Auto-PairPatch on odd CH → partner (even CH) is automatically set to same loom:channel

21 · Workflow

Phase 1 — Advance (Office)

#ActionWhere
1Create new project, enter artist + venueLogo → New Project
2Configure FOH and MON console + stageboxes Setup
3Set split type + split master Setup
4Import input list from rider (copy & paste) Import List
5Assign mic/DI per channelMic/DI column
6Run Auto Loom Patch Auto Loom Patch
7Create outputs (wedges, IEM, PA, sidefill)Outputs section
8Configure digital patch (TX Auto-Patch)Digital Patch Tab
9Configure IEM/RF channelsIEM/RF Tab
10Export PDF and distribute to crew Export → PDF

22 · Keyboard Shortcuts & Tips

ShortcutAction
Cmd/Ctrl + SSave (Auto-Save)
Cmd/Ctrl + Shift + SSave Project File (.json)
Cmd/Ctrl + OLoad Project File (.json)
Cmd/Ctrl + POpen PDF Export Studio
Cmd/Ctrl + IOpen Project Details
Cmd/Ctrl + JToggle Ask Jay (AI Assistant & Rider Import)
Cmd/Ctrl + Shift + HOpen Hardware Setup
Cmd/Ctrl + Shift + EOpen Equipment Setup
Cmd/Ctrl + Shift + DOpen System Designer
Cmd/Ctrl + Shift + LOpen Live Collab & Crew Link
Cmd/Ctrl + ZUndo (incl. TX Auto-Patch, Clear All, split changes)
Cmd/Ctrl + Shift + ZRedo
Cmd/Ctrl + + / -Zoom UI in / out
Cmd/Ctrl + 0Reset UI zoom to 100%
?Toggle help mode
Shift + ClickMulti-select (stereo, swap)
EnterConfirm input field
TabNext row, same column (vertical navigation in all tables)
Shift + TabPrevious row, same column

Adjust column widths: In Digital Patch, drag the column dividers in the table header — widths are saved.

UI Zoom: Use Cmd/Ctrl + +/- to perfectly fit the UI to large external displays or small laptop screens. Cmd/Ctrl + 0 resets it back to 100%.

Fast mic input: The Mic/DI field has autocomplete. Type „SM" and choose from 300 predefined microphones and DI boxes.

Drag & Drop: Reorder channels using the ⠇ handle. Order is saved immediately.

23 · Equipment Setup (Detail)

Open Setup → Equipment Setup. All settings are saved per project.

Stage Positions

Dropdown values for the Position column in the input table. Default: Drums, Percussion, Bass, Keys, Guitar, Brass, Strings, Vocals, Choir, DJ, Playback, FOH.

  • New position: text field + "+ Add"
  • Rename: directly in the text field
  • Delete: ✕ (existing assignments remain as text)

Also controls Auto Loom Patch: Channels with the same position end up in the same loom.

Output Categories

Dropdown for the Category column in the output table. Default: Monitor Wedge, IEM, Sidefill, Drumfill, PA Main, PA Sub, PA Front Fill, PA Delay, Broadcast, Recording, Intercom.

Used as grouping criterion for outputs in Auto Loom Patch.

Stand Types

Dropdown for the Stand column. Default: Large Stand, Boom, Desk Stand, Clip, Overhead, DI Floor, DI Rack.

Microphone List

Dropdown values for the Mic / DI column in the input table. You can add custom microphones and DI boxes to this global list, making them permanently available for your project and when saving your profile.

Table Columns

Toggle individual standard columns on/off:

Input TableOutput Table
Microphone Typ
Position Category
Stand Position
Info Info
48V Phantom—

Custom Columns

Add custom columns separately for inputs and outputs. Examples:

  • Phase — Phase invert yes/no
  • Pad — -10/-20 dB
  • Phantom — 48V an/aus
  • Insert — external insert device
  • Amp CH — amplifier channel

Auto-Loom Rules

CheckboxEffect
Group by stage positionChannels with the same position end up in the same loom
Keep stereo pairs togetherStereo pairs are never split across different looms
Keep existingOnly channels without loom assignment are filled
↑ Fill from topFill looms from CH 1 upward
Outputs by categoryGroup outputs by category (IEM together, Wedge together)

Loom Settings

Stage Looms (A, B, C...)

  • Default: A–F (6 looms à 8 channels)
  • Change color by clicking the color chip
  • Channel count per loom individually adjustable
  • New looms via "+ Add Loom"
  • Standard CH/Loom (top right): Global default channel count for all stage looms

Multicore (MC, MC2...)

  • MC = main multicore (cannot be deleted)
  • Additional via „+ Multicore"
  • Own channel count and color, independent of stage looms
  • Typical: MC = 24ch stage→FOH, MC2 = 12ch returns

Tielines (T.A, T.B...) & CrossCores (X.A, X.B...)

  • Rack-to-rack and stagebox cross-connections (e.g. FOH rack → MON rack)
  • Each tieline / CrossCore: Name, Color, Channel count
  • Selectable directly in the Loom & Channel (Ch 1) dropdown on Outputs (Send) and Inputs (Return) (directional counting + auto signal name)
  • Shown as a separate section in the loom plan

Apply Standard CH/Loom sets ALL stage looms to the new channel count and clears auto-loom assignments. Multicore and tielines remain unchanged.

24 · Hardware Scenarios

A&H dLive (gigaACE Split)

PositionConsoleStageboxSplit
FOHdLive S5000DM64 (gigaACE → Stage DM48)gigaACE
MON 👑dLive S7000DM48 (Stage)gigaACE

Split Master = MON (physical stage MixRack). FOH receives mirror via gigaACE. MON = Channel Master.

DiGiCo SD Series (Optocore Split)

PositionConsoleStageboxSplit
FOH 👑SD12SD-Rack (56in/56out)Optocore
MONSD12—Optocore

Both consoles in the same Optocore ring. SD-Rack slots: Input cards (8×Mic/Line), Output cards (8×Line).

Yamaha RIVAGE (TWINLANe Split)

PositionConsoleStageboxSplit
FOH 👑RIVAGE PM5RPio622 (+ HY144-D)TWINLANe
MONRIVAGE PM3—TWINLANe

Assign MY expansion cards in setup under slot configuration.

Midas M32 + Transformer Split

PositionConsoleStageboxSplit
FOH 👑M32DL32 (AES50)Trafo Split
MONM32RDL16 (AES50)Trafo Split

External transformer splitter. No gainsharing for analog split.

Festival Patch Mode (3+ Positions)

The Festival Patch Mode is a special operating mode for festivals with multiple bands. It is activated via Hardware Setup → "Enable Festival Mode".

Concept: There is one central Stage Splitter with a fixed Master Patch. Each band gets its own band tab with the ability to override individual channels — all other channels automatically follow the Master Patch.

Architecture

ElementFunction
Stage Master (Splitter)Physical stage split box. Defines channel count (8–64 CH) and loom assignments. Immutable per band.
FOH / MONReceive the split. Have their own independent outputs (stagebox configuration).
Band TabsOne tab per band. Shows Master Patch + overrides. Channels without override follow the master.
Output MasterWhich position (FOH or MON) sends outputs to the stage split box. Can be set to "None".

Setup Steps (Festival)

  1. Open Setup → "Enable Festival Mode"
  2. In Stage Master: Choose splitter size (8, 16, 24, 32, 40, 48, 56 or 64 channels)
  3. Configure fanouts: which positions (FOH, MON, …) receive a split
  4. Select Output Master (e.g. MON) — or "None" if no outputs go back to stage
  5. In the Master Patch Tab: enter inputs and loom assignments for the complete stage
  6. Add bands via "+ Band" in the tab bar
  7. Per band: enter deviating channels as overrides — all others follow the master

Band Tab Controls

ElementFunction
Checkbox (✓) in SPL columnChecked: channel follows Master Patch (read-only, blue highlight). Unchecked: band can enter own data.
Loom Badge (e.g. B:3)Shows deviating loom assignment for this band vs the master.
⊘ (strikethrough symbol)Solo mode: this band is the only act — stage splitter is bypassed, direct patching without split.
Auto Split / Clear SplitSame as normal positions — only affects this band tab.
Auto Loom / Reset LoomAssigns loom channels band-specifically / resets them.
Import InImport channel names from a list (copy & paste) into the band tab.

Solo Mode (⊘)

When a band is the only act (no splitting needed), the Solo Mode can be activated. Fields become directly editable — the stage splitter is logically bypassed. In Festival Overall and PDF, solo mode is highlighted with a red banner.

Loom Badges: In the Festival Overall tab and PDF export, each band shows which channels use a different loom than the master. The badge shows loom letter and channel (e.g. B:3) in the loom color.

Festival Overall Tab

The Festival Overall tab (next to "Patch") shows a complete overview: Master Patch on the left, one column per band on the right. Deviating channels, loom differences and solo markers are visible at a glance.

Festival Scenario: Midas M32 + Analog Split

PositionConsoleStageboxSplit
Stage Master—Passive Splitter Box (48 CH)Trafo Split
FOH 👑M32DL32 (AES50)Trafo Split
MONM32RDL16 (AES50)Trafo Split

Output Master = MON. Bands with individual rider requirements get their own band tabs with loom overrides.

Midas M32 and Behringer X32/S-Series are fully compatible — both use AES50 (SuperMAC). You can combine e.g. an M32 with a Behringer S32 stagebox.

25 · Advanced Features

Drag & Drop

Each row: grab the ⠇ handle → drag up/down → release. SB# is automatically renumbered.

Auto Split 1:1

Toolbar button. Assigns split channels: CH1→Split1, CH2→Split2 etc. For slave positions the dropdown shows available master channels.

Notes Tab

Free text field — crew briefing, checklists, change notes. Also exported in the PDF.

History Tab

Automatic changelog of all changes with timestamp.

Manufacturer Info (Drawer)

Pill buttons per manufacturer. Each page: network protocol, stageboxes, setup example in AUDIOPATCH notation.

Help Search (Help)

In the info drawer, full-text search across 20+ help articles. Categories: Navigation, Setup, Patch & Loom, Inputs & Outputs, IEM/RF, Export, Shortcuts.

Data Storage

  • localStorage — everything stays local, no cloud
  • Auto-Save on every change
  • Switching browsers = new data → export backup!
  • Incognito = data lost on close

Before every browser update and after every show: export a Backup JSON. localStorage may be lost when cache is cleared.

26 · Technical Glossary

TermExplanation
AES/EBUDigital audio format (2 channels per XLR, 110Ω balanced)
AES50Digital audio network (Midas/Behringer). 48ch bidirectional per CAT5e
BodypackBelt-pack receiver for IEM, worn on musician's belt
DanteIP-based audio network (Audinate). Up to 512ch over Gigabit Ethernet
DI-BoxDirect Injection — converts unbalanced line to balanced mic signals
DrumfillMonitor speaker behind the drum kit
FOHFront of House — mixing console position in the audience area
GainsharingDigital split with shared preamp stage and individual trim compensation
gigaACEAllen & Heath proprietary audio network (128ch, 52μs, EtherCon)
IEMIn-Ear Monitoring — wireless monitoring via earphones
LoomPhysical multicore cable bundling multiple signals (e.g. 8× XLR → Sub-D)
MADIMultichannel Audio Digital Interface (64/128ch via BNC or fiber)
MixRackExternal preamp/converter unit, connected to the console via network
MONMonitor — mixing console position on stage (side stage)
MulticoreMain connection between stage and FOH (often >24 channels)
MY-SlotYamaha expansion slot for optional I/O cards (Dante, MADI, AES)
OptocoreDiGiCo proprietary audio network (fiber, up to 128ch, <1ms)
Phantom48V phantom power for condenser microphones
PreampPreamplifier — converts weak mic signals to line level
RiderTechnical requirements list of a band/artist
SidefillStage speakers on the sides for monitoring without IEM
SplitSignal distribution: one input → multiple consoles
StageboxRemote I/O unit on stage (multicore or digital snake)
Sub-DMultipin connector for analog multicore (25-pin = 8ch)
TielineDirect cable connection between two racks
TrimFine adjustment of signal level after the preamp (±20dB)
TWINLANeYamaha RIVAGE proprietary audio network (fiber, 128ch)
UHFUltra High Frequency — frequency range for wireless (470–960 MHz)
WedgeStage speaker as floor monitor (wedge shape)

27 · FAQ & AudioPatch Pro Activation

Real Talk: How does Pro access work?
AudioPatch doesn't use annoying user accounts or passwords. Your Pro access is entirely managed by a Token (a cryptographic JWT access key) that is stored locally in your browser (in localStorage). This makes the app extremely fast and privacy-friendly, but it also means: If you constantly browse in "Incognito Mode" or have your browser set to delete all data when closed, you are throwing away your own access key every time.

1. How do I activate & manage AudioPatch Pro?

It's easy: When you start your 7-day free trial or subscription, you receive a welcome email. Click the "Activate Pro Access" button. The app will open, securely store your token in the background, and unlock all Pro features immediately.

Alternatively, you can copy the activation link or code from the email, open the upgrade modal in the app, and paste it at the bottom under "Already have an activation code?". Once Pro is active, all Pro features are unlocked. On the Company plan you can additionally upload your custom PDF company logo & footer.

New device and no email at hand? In the upgrade modal, open "Or sign in by email", enter the email address of your subscription and click "Sign in by email". If an active subscription exists, a sign-in link is sent to the email address stored at Paddle. For security reasons the app always shows the same message, whether or not a subscription was found.

View and manage your license: In the Setup menu on the left (gear icon → Pro & License) you can open the PRO window at any time (showing plan, status, validity and number of devices while Pro is active; on the Company plan also via the Export menu → Custom Logo). There you will find "Manage Subscription (Paddle)" (cancellation, payment method, invoices in the Paddle customer portal) and "Sign out on this device". Without an active license the PRO window shows "Activate Pro" and "Manage subscription and invoices (Paddle)". You can also open the public Paddle customer portal directly; you sign in there with a link sent to the email address of your purchase.

2. Help, my Pro status suddenly disappeared!

Don't panic! Your subscription isn't necessarily gone. This usually happens in these cases:

  • You haven't opened the app online in a long time and your local token (valid for 30 days) expired.
  • You cleared your browser data or are using a new device.
  • Your subscription ended or was paused.
  • Your license was activated on a further device and this device was the oldest one (see question 3).

The Solution: Sign in again with "Sign in by email" in the upgrade modal, or click the activation link from your welcome email again or paste the code into the app. The server verifies your Paddle subscription and automatically issues a fresh token in the background; it is valid for 30 days and renews itself while you are online. If the subscription has ended, Pro stays locked until you reactivate it in the Paddle customer portal or subscribe again.

3. How many devices can I use AudioPatch Pro on?

On the AudioPatch Tech (€4/month) plan, you can use Pro on up to 2 personal devices simultaneously (e.g. your laptop at the hotel + iPad at FoH), and the same applies during the free trial. On the AudioPatch Company (€19/month) plan, up to 10 devices across your team can be active simultaneously.

A device is a browser installation: a different browser or browser profile on the same computer counts as a separate device, and so does a browser whose site data was deleted. If you activate Pro on a further device beyond the limit, the device that was activated earliest is signed out automatically. That device can sign in again at any time (which then signs out the now-oldest device). The limit is only enforced during an online check: a device without internet keeps working until its token expires or its next check.

With "Sign out on this device" in the PRO window you free a slot immediately. The activation link and code from the email are personal: please do not share them.

4. I didn't receive an activation email

Please check your Spam or Junk folder first for an email from noreply@audiopatch.net. Corporate emails might sometimes delay it by 1-2 minutes. You can also have a new link sent at any time: "Sign in by email" in the upgrade modal, using the email address you gave to Paddle at checkout. If nothing arrives anyway: send us a quick support email.

ESC